| 
  
  
 Introduction
 
There has certainly been a shift in the desktop 
monitor market towards larger screen sizes. A few years ago a 27" sized monitor 
would have been considered very large indeed, but now it feels almost like it's 
the norm. Instead we have seen a steady influx of screens larger than 30" in 
size over the last year. Most of the focus of these extra large screens has been 
on delivering Quad HD "4k" resolutions, with models like the
Dell UP3214Q for instance providing a huge 31.5" diagonal and a 3840 x 2160 
resolution. The cost of these screens is generally prohibitive for many 
consumers, although we have 
started to see some 28" models emerge with lower cost TN Film panels, offering a 
large screen and 4k resolution, as long as you can live with some of the sacrifices 
of the chosen panel technology. Practical usage of 4k resolution is still in 
early adoption and so as a resolution it's not for everyone yet. 
BenQ have initially opted for something a bit 
different. Their new BL3200PT is a massive 32" sized screen making it a huge 
desktop monitor option, but rather than deliver a 4k resolution, they have stuck 
with a 2560 x 1440 resolution, the same as that offered by most 27" monitors. 
This is an interesting development as we've not seen this resolution used in any 
other size panel until now. Many users find a 27" 2560 x 1440 monitors text too 
small for comfortable use so this is an interesting way of offering a more 
comfortable experience and a larger screen size at the same time. Equally 
interesting is the use of a new AU Optronics AMVA (VA type) panel which until 
now has not been available with this resolution. 
The BL3200PT is aimed at CAD/CAM users, much like 
their
BL2710PT model we tested last year. It comes with an extensive range of 
options, extras, connections and adjustments with a focus on user comfort. 
BenQ's website states: "Accurate Color Gamut that brings your imagination to 
life, A Large Screen that extends your design space, High Resolution to view the 
smallest details, Ergonomic Features that ease your eye and neck strain... 
Result, A monitor that meets all your CAD/CAM needs!" 
If you appreciate the review 
and enjoy reading and like our work, we would welcome a 
donation 
to the site to help us continue to make quality and detailed reviews for you.
 
 Support TFTCentral,
buy the BenQ BL3200PT using our affiliate link
 
 
  
 Specifications and Features
 
The following table gives detailed information 
about the specs of the screen: 
  
  
    | 
    Monitor 
    Specifications  |  
    | 
    Size | 
    32"WS (81.3cm) | 
    Panel Coating | 
    
    Light AG coating |  
    | 
    Aspect Ratio | 
    16:9 | 
    
    Interfaces | 
    DL-DVI, HDMI, DisplayPort 1.2, D-sub VGA |  
    | 
    
    Resolution | 
    2560x 1440 |  
    | 
    Pixel Pitch | 
    
    0.276 mm | 
    Design 
    
    colour | 
    Black bezel and base, silver trim to stand |  
    | 
    
    Response Time | 
    4ms G2G (12ms ISO) | 
    
    Ergonomics | 
    
    Tilt, height, pivot and swivel |  
    | 
    Static Contrast Ratio | 
    
    3000:1 |  
    | 
    
    Dynamic Contrast Ratio | 
    20 million:1 | 
    
    VESA Compatible | 
    
    Yes, 100mm |  
    | 
    
    Brightness | 
    300 | 
    
    
    Accessories | 
    Power, DVI, DisplayPort, VGA, audio and USB 
    cables. OSD controller switch |  
    | 
    
    Viewing Angles | 
    178 / 178 |  
    | 
    
    Panel Technology | 
    AU Optronics AMVA | 
    
    Weight | 
    
    Net weight: 13Kg |  
    | 
    
    Backlight Technology | 
    
    W-LED | 
    
    
    Physical Dimensions | 
    
    
    (WxHxD) with stand max height740 x 640 x 232 mm
 |  
    | 
    
    Colour Depth | 
    
    1.07b (10-bit) |  
    | 
    Refresh Rate | 
    60Hz | 
    Special 
    Features | 
    2x 
    5W stereo speakers, audio jack, 2x USB 2.0 and 2x USB 3.0 ports, OSD 
    controller switch accessory, SD card reader, ambient light sensor, human 
    motion sensor |  
    | 
    Colour Gamut | 
    Standard gamut ~sRGB79% NTSC, 100% sRGB, 78.0% Adobe RGB
 |  
The BL3200PT offers a full range of connectivity options. There are  
dual-link DVI, DisplayPort 1.2,  HDMI and D-sub interfaces provided for video 
connections 
which is great to see and should cover all your needs. The digital interfaces are HDCP certified for encrypted 
content. Cables are provided in the box for DVI, DisplayPort and VGA connections 
but not HDMI. 
The screen has an internal power supply so all you 
need is the provided kettle lead power cable. There are integrated 2x 5W stereo speakers on this model and an audio jack 
if you need it and are sending audio to the screen over HDMI. There are also 2x USB 
2.0 ports and 2x USB 3.0 ports built into the screen. The two USB 3.0 ports are 
located on the right hand side of the screen in fact for easy access which is 
nice. There is also a built in SD card reader on the right hand side which is 
handy. An ambient light sensor is built into the screen as well for 
automatically adjusting your brightness setting depending on the lighting 
conditions of your environment. There is also a human motion sensor ("ECO 
sensor") which can turn the screen off when it detects no usage. 
 
Perhaps most interesting is a new "OSD Controller" 
switch device which BenQ have provided with the screen. This is a small circular 
device as shown above which can sit in the round indent in the bottom of the 
stand if you like, or just positioned somewhere else near the screen. This 
connects to the back of the display via a small mini USB connection but needs no 
software or anything to function. It then acts like the buttons for the OSD menu 
and is simple to use and feels quite smart we thought. There are 3 quick access 
buttons which can be customised via the main OSD menu to give you access to 
things you might use often (preset modes, aspect ratio, brightness, volume, 
inputs etc). You can also access the main menu as normal and navigate simply. 
It's quite a nice alternative to the OSD buttons and although perhaps a tad 
unnecessary, it was a nice gadget-y touch which we really liked. A nice new idea 
from BenQ there. 
Below is a summary of the features and connections 
of the screen: 
  
  
    
      | 
      Feature | 
      Yes / No | 
      Feature | 
      Yes / No |  
      | 
      
      Tilt adjust | 
      
       | 
      
      DVI | 
      
       |  
      | 
      
      Height adjust | 
      
       | 
      
      HDMI | 
      
       |  
      | 
      
      Swivel adjust | 
      
       | 
      
      D-sub | 
      
       |  
      | 
      
      Rotate adjust | 
      
       | 
      
      DisplayPort | 
      
       |  
      | 
      
      VESA compliant | 
      
       | 
      
      Component | 
      
       |  
      | 
      
      USB Ports | 
      
       | 
      
      Composite | 
      
       |  
      | 
      
      Card Reader | 
      
       | 
      
      Audio connection | 
      
       |  
      | 
      
      Ambient Light Sensor | 
      
       | 
      
      HDCP Support | 
      
       |  
      | 
      
      Touch Screen | 
      
       | 
      MHL Support | 
      
       |  
      | 
      Hardware calibration | 
      
       | 
      
      Integrated Speakers | 
      
       |  
      | 
      Uniformity correction | 
      
       | 
      PiP / PbP | 
      
       |  
  
  
  
  
  Design and Ergonomics
 
      
      
  Above: 
      front views of the screen. Click for larger versions
 
      The BL3200PT comes in a mostly black design, 
      with matte plastics used for the bezel and base. There is a nice thin 
      bezel around the screen measuring ~14mm along the top and sides, and ~20mm 
      along the bottom edge. It's thin and sleek looking and the screen could 
      easily be used in a multi-monitor setup without introducing too wide a 
      border if needed. There is a BenQ logo in the bottom left hand corner and 
      a "BL3200" label in the top right hand corner. In the middle of the lower 
      bezel is a glossy plastic strip which houses the ambient light sensor and 
      human motion sensors, and there is a small "QHD" label there too. The 
      bottom right hand edge features the touch-sensitive OSD control buttons 
      and a pressable power button. The LED on the power button glows white 
      during operation and amber when the screen is in standby. 
      
      
         Above: rear 
      view of screen and front of the stand arm
 
      The back of the screen is mostly matte black 
      plastic as well, although there's a glossy black section along the bottom 
      portion as you can see above. The stand connects easily into the back of 
      the screen which also provides a VESA 100mm compatibility if you want to 
      arm or wall mount it. The stand is quite similar to the stands seen on 
      Dell screens in fact in design and feel. There is a cable tidy hole in the 
      back of the arm as you can see above. The monitor arm is a silver coloured 
      aluminium and feels sturdy and strong, providing a great support for the 
      large and pretty heavy screen. Because of the metal used here the stand 
      itself is quite heavy and adds to the overall weight of the display. You 
      will note the circular indent section in the bottom of the stand where it 
      connects into the base. This has a blue coloured trim around the edges and 
      can be used to store the OSD controller switch device (see below). 
      
      
       Above: base 
      of stand
 
      The base is rectangular in shape measuring 
      38 x 21mm in size. It is a black plastic but designed to look like brushed 
      aluminium and looks attractive and gives a premium feel to the stand. 
      
      
         Above: OSD 
      controller switch device
 
      The OSD controller switch is a nice 
      additional gadget we felt. It's quite light but feels well built. It can 
      sit in the circular indent of the base of the stand if you want, although 
      we did find that puts it out of sight a bit as the screens height 
      adjustment is quite low to align the screen properly for a normal seating 
      position.  
      
      
         Above: side 
      USB 3.0 ports, SD card reader and video connections
 
      The right hand edge of the screen features 
      2x USB 3.0 ports and an integrated SD card reader. There is also a 
      headphone jack here if sending audio to the screen and not wanting to use 
      the built in speakers. Inset along the right hand edge of the middle part 
      of the screen are the video connections which you can see on the left hand 
      image above. These are easy to access as opposed to being tucked along the 
      bottom edge at the back where they are hard to see and reach. 
      
       
      There is a very good range of ergonomic 
      adjustments provided by the stand. 
      
      
         Above: full 
      tilt range
 
      The tilt adjustment is smooth and easy to 
      move, giving you a decent enough range of adjustment for your viewing 
      position. 
      
      
       Above: 
      maximum height adjustment
 
      The height adjustment is again easy and 
      smooth to manoeuvre. At its lowest setting the bottom edge of the screen 
      is 50mm from the top edge of the desk. At its maximum adjustment it is 
      200mm, giving you a total 150mm adjustment range as advertised. 
      
        Above: 
      swivel adjustment
 
      The side to side swivel also works well, 
      being smooth and easy to use. The base remains stable on the desk as you 
      move it from side to side which is good. 
      
      
         Above: 
      rotated portrait mode
 
      There is even a rotation function offered 
      which to be honest at this size is a little impractical. It's smooth and 
      easy to use, although whether you'd ever have cause to use it is another 
      question. 
  A summary of the screens ergonomic adjustments 
  is shown below: 
    
      | 
      Function | 
      Range | 
      Smoothness | 
      Ease of Use |  
      | 
      Tilt | 
      Yes | 
      Smooth | 
      Easy |  
      | 
      Height | 
      150mm | 
      Smooth | 
      Easy |  
      | 
      Swivel | 
      Yes | 
      Smooth | 
      Easy |  
      | 
      Rotate | 
      Yes | 
      Smooth | 
      Easy |  
      | 
      Overall | 
      Full range of easy to use and 
      smooth adjustments |  
  The materials were of a very good standard and 
  build quality felt sturdy and strong.  There was 
  no audible  buzzing noise from the screen even when conducting specific 
  tests which can often identify buzzing issues. 
  The whole screen remained  very cool even during prolonged use as well which 
  was pleasing. 
  
  
   Above: 
  connection along the bottom part of the back of the screen shown. Click for 
  larger version
 
  
    Above: 
  
  
  interface connections shown. Click for larger version
 
  The back of the screen along the bottom area 
  features 2x USB 2.0 ports, the mini USB connection for the OSD controller 
  switch, the USB upstream port and an audio connection. There is then the power 
  connection and power on/off switch on the right.
  The video interface connections are located vertically on the right hand edge 
  of the back of the screen (if viewing the screen from the front). There are HDMI, DL-DVI, D-sub and 
  DisplayPort provided which was pleasing to see. 
   
  
 
  
  
  
  OSD Menu
 
 Above: views of 
OSD operational buttons on the bottom right hand edge of the screen
 
The OSD menu is accessed and controlled through a 
series of 5 touch-sensitive buttons along the bottom edge of the screen. 
Normally these look like 5 small black squares on the front of the bezel which 
are subtle and hidden during normal use. 
 
As you move your finger towards the buttons (but 
don't press them) they all light up, showing you they are available to press. 
From there a light touch of any of them brings up a quick launch menu bar as 
shown above which shows what each of the buttons will then do for you. From here 
there is quick access (in order) to the preset mode menu, input selection, 
volume control and then the main menu itself. 
   
If you use the quick access to any of the menus, 
the logos above each of the buttons changes, showing you what they will now do, 
whether that's scroll up and down, make a selection or whatever else is 
available. Above are the quick access menus for the preset modes ('picture mode' 
menu) and input selection. 
 
The quick access to the volume control is also 
shown above. You can also change what quick launch options are available from 
within the main OSD menu, including things like brightness, contrast, aspect 
ratio control and some of the ECO options. Useful to have available and be able 
to change to your taste. 
 
The main OSD menu looks as above. It is split into 
7 sections which are shown down the left hand side. As you scroll down the 
options within each section are shown on the right. The first 'display' section 
is mostly for adjustments when using the analogue VGA connection, but can also 
control the auto-pivot function (when switching the screen from landscape to 
portrait modes) and the input selection. 
 
The picture menu contains quite a few of the 
common options like brightness and contrast. You can also select from the 
various gamma and 
colour temperature modes which we will test later on as well. If you scroll 
down this section further there is also the
AMA option, 
for controlling the response time setting. 
 
The picture advanced section includes a few more 
special features. There is the 'picture mode' option (preset modes) and 'display 
mode' (aspect ratio control), with a very wide range of options available. 
The 
dynamic contrast option is available if you are in a suitable preset mode. 
 
The audio section is pretty self explanatory. 
 
The system section allows you to customise the 
quick access buttons if you want, and control a few things related to the menu 
and OSD. You can customise the quick access buttons here, and if you scroll down 
the list there is another set of options including the ability to customise the 
buttons on the OSD controller switch device. 
 
The Ergonomics section includes a few of the 
advanced features of the monitor. The 'Eye Protect' sensor is the ambient light 
sensor, controlling the backlight brightness depending on your ambient light 
conditions. The Smart Reminder can be set to reminder you at certain intervals 
to take a break. 
 
The ECO section allows you to control the human 
motion sensor feature. 
All in all the menu was pretty impressive. There 
were a wide range of options to adjust and plenty of advanced features which was 
nice. The touch sensitive buttons added a level of  premium feel to the screen, 
and remained sensitive and responsive. 
The navigation was easy enough although it sometimes felt a little laborious to 
get to the option you wanted if we're honest. 
    
  
  
 Power Consumption
 
In terms of power consumption the manufacturer 
lists 97.0W typical usage during operation and 0.5W in standby. We carried out our normal tests to 
establish its power consumption ourselves. 
  
    
      
        | 
        
         | 
          
            | 
            State and Brightness 
            Setting | 
            
            Manufacturer Spec (W) | 
            Measured Power Usage 
            (W) |  
            | 
            Default (100%) | 
            97.0 | 
            52.0 |  
            | 
            Calibrated (26%) | 
            - | 
            27.1 |  
            | 
            Maximum Brightness (100%) | 
            - | 
            52.0 |  
            | 
            Minimum Brightness (0%) | 
            - | 
            19.9 |  
            | 
            Standby | 
            0.5 | 
            0.5 |  |  
We tested this ourselves and found that out of the 
box the screen used 52.0W at the default 100% brightness setting. Considering 
this is the maximum brightness setting the additional power draw for the 
specified 97.0W consumption must be based on having other things connected to 
USB etc. Once calibrated the screen reached 27.1W consumption, and in standby it 
used only 0.5W. We have plotted these results below compared with other screens 
we have tested. The consumption is very comparable to other W-LED backlit 
displays, with wide gamut GB-r-LED units like the Dell U2713H and ViewSonic 
VP2772 using slightly more (comparing calibrated states). The CCFL units like 
the Eizo SX2762W are even more power hungry. 
 
  
  
  
  Panel and Backlighting
 
  
  
    
      | 
      
      Panel Manufacturer | 
      AU Optronics | 
      
      Colour Palette | 
      
      1.07 billion |  
      | 
      
      Panel Technology | 
      AMVA | 
      
      Colour Depth | 
      10-bit |  
      | 
      
      Panel Module | 
      M320DVN01.0 | 
      
      Colour space | 
      Standard gamut / sRGB |  
      | 
      
      Backlighting Type | 
      W-LED | 
      
      Colour space coverage (%) | 
      100.0% sRGB, 79% NTSC, 78.0% 
      Adobe RGB |  
Panel Part and Colour Depth 
The BenQ BL3200PT utilises an
AU Optronics M320DVN01.0 AMVA (VA-type, not their new AHVA technology) panel which is 
capable of producing 1.07 billion colours. According to the detailed panel spec 
sheet this is done with a 10-bit colour depth as there's no mention of
Frame Rate Control (FRC). This 
gives a colour depth support for 1.07 billion colours. However,  you need to 
take into account whether this is practically useable and whether you're ever 
going to truly use that colour depth. You need to have a full 10-bit end 
to end workflow to take advantage of it which is still quite expensive to 
achieve and rare in the market, certainly for your average user. This includes 
relevant applications and graphics cards as well, so to many people this 10-bit 
support might be irrelevant.  
The panel is confirmed when accessing the factory 
OSD menu: 
 
 
Screen 
Coating 
The
screen coating on the BL3200PT is a light anti-glare (AG) offering as opposed 
to any kind of glossy coating, similar to other AMVA panels we've tested in the 
past although perhaps not quite as "semi-glossy" as we're used to. It retains its anti-glare properties to avoid unwanted reflections, 
but does not produce an overly grainy or dirty image that some  thicker AG 
coatings can. There are some slight cross-hatching patterns visible if you know 
how to spot them but they are very subtle and shouldn't bother the average user 
at all. Certainly not as pronounced as seen on the Dell U2713HM which was 
sometimes criticised for the cross-hatching appearance of the coating. 
Backlight Type and Colour Gamut
 
The screen uses a White-LED (W-LED) backlight unit 
which has become very popular in today's market. This helps reduce power 
consumption compared with older CCFL backlight units and brings about some 
environmental benefits as well. The W-LED unit offers a standard colour gamut 
which is approximately equal to the sRGB colour space. Studying the detailed 
panel spec sheet confirms colour space coverage of 79% NTSC, 100.0% sRGB and 
78.0% Adobe RGB. 
Anyone wanting to work with wider colour spaces would need to consider wide 
gamut CCFL screens, or perhaps the new range of GB-r-LED displays emerging. If 
you want to read more about colour spaces and gamut then please have a read of 
our
detailed article. 
Backlight 
Dimming and Flicker
 
We tested the screen to establish the methods used 
to control backlight dimming. Our in depth article talks in more details about a 
common method used for this which is called
Pulse Width Modulation (PWM). This in itself gives cause for concern to some 
users who have experienced eye strain, headaches and other symptoms as a result 
of the flickering backlight caused by this technology. We use a photosensor +  
oscilloscope system to measure backlight dimming control 
with a high level of accuracy and  ease. These tests allow us to establish 
1) Whether PWM is being used to control the 
backlight2) The frequency and other characteristics at which this operates, if it is used
 3) Whether a flicker may be introduced or potentially noticeable at certain 
settings
 
If PWM is used for backlight dimming, the higher 
the frequency, the less likely you are to see artefacts and flicker. The duty 
cycle (the time for which the backlight is on) is also important and the shorter 
the duty cycle, the more potential there is that you may see flicker. The other 
factor which can influence flicker is the amplitude of the PWM, measuring the 
difference in brightness output between the 'on' and 'off' states. Please 
remember that not every user would notice a flicker from a backlight using PWM, 
but it is something to be wary of. It is also a hard thing to quantify as it is 
very subjective when talking about whether a user may or may not experience the 
side effects. 
100%                                                                                  
50%
 
     0%
 
  Above scale = 1 
horizontal grid = 1ms
 
At 100% brightness a constant voltage is applied 
to the backlight and there is no need for any kind of PWM regulation as normal 
for most screens. As you begin to lower the brightness setting a Direct Current 
(DC) method is used, as opposed to any kind of Pulse Width Modulation (PWM). As 
a result, there is no oscillation or PWM off/on backlight flickering. BenQ have 
introduced this kind of backlight control across all their range and it's great 
to confirm that this is indeed the case and the screen is flicker free. 
 
  
  
    
      | 
      Pulse Width 
      Modulation Used | 
      No |  
      | 
      Cycling 
      Frequency | 
      n/a |  
      | 
      Possible 
      Flicker at |   |  
      | 
      100% Brightness | 
      No |  
      | 
      50% Brightness | 
      No |  
      | 
      0% Brightness | 
      No |  
  For an up to date list of all flicker-free (PWM free) monitors please see our
  
  Flicker Free Monitor Database. 
  
  
  
 Contrast 
Stability and Brightness
 
  
  
  We wanted to see how much variance there was in 
  the screens contrast as we adjusted the monitor setting for brightness. 
  
  In theory, brightness and contrast are two independent parameters, and good 
  contrast is a requirement regardless of the brightness adjustment. 
  Unfortunately, such is not always the case in practice. We recorded the 
  screens luminance and black depth at various OSD brightness settings, and 
  calculated the contrast ratio from there. Graphics card settings were left at 
  default with no ICC profile or calibration active. Tests were made using an
  X-rite i1 Display Pro colorimeter. It should be noted that we used the 
  BasICColor calibration software here to record these, and so luminance at 
  default settings may vary a little from the LaCie Blue Eye Pro report. 
  
  
    
      
        | 
        OSD 
        Brightness | 
        
        Luminance(cd/m2)
 | 
        Black 
        Point (cd/m2) | 
        Contrast 
        Ratio( x:1)
 |  
        | 
        100 | 
        283.4 | 
        0.11 | 
        2577 |  
        | 
        90 | 
        262.3 | 
        0.10 | 
        2623 |  
        | 
        80 | 
        242.1 | 
        0.09 | 
        2690 |  
        | 
        70 | 
        221.6 | 
        0.08 | 
        2770 |  
        | 
        60 | 
        200.7 | 
        0.08 | 
        2509 |  
        | 
        50 | 
        179.1 | 
        0.07 | 
        2559 |  
        | 
        40 | 
        155.9 | 
        0.06 | 
        2598 |  
        | 
        30 | 
        133.0 | 
        0.05 | 
        2659 |  
        | 
        20 | 
        109.3 | 
        0.04 | 
        2732 |  
        | 
        10 | 
        84.3 | 
        0.03 | 
        2810 |  
        | 
        0 | 
        58.8 | 
        0.02 | 
        2942 |  
  
  
    
      | 
      Total Luminance Adjustment Range 
      (cd/m2) | 
224.60 | 
      Brightness OSD setting controls backlight? | 
      
       |  
      | 
Total Black Point 
      Adjustment Range (cd/m2) | 
0.09 |  
      | 
Average Static Contrast Ratio | 
      2679:1 | 
      PWM Free?   | 
      
       |  
      | 
Recommended OSD setting for 120 cd/m2 | 
24 |  
The brightness control gave us a very good range 
of adjustment. At the top end the maximum luminance reached 283 
cd/m2 which was 
high, and only just lower than the specified maximum brightness of 300 cd/m2 
from the manufacturer. There was a large 225 cd/m2 adjustment range 
in total, and so at the minimum setting you could reach down to a luminance of 
59 cd/m2. 
This should be adequate for those wanting to work in darkened room 
conditions with low ambient light. A setting of 24 in the OSD menu should return you a 
luminance of around 120 cd/m2 at default settings.   
 
We have plotted the 
luminance trend on the graph above. The screen behaves as it should in this 
regard, with a reduction in the luminance output of the screen controlled by the 
reduction in the OSD brightness setting. This is a linear relationship as you 
can see from the line. It should be noted  that the brightness regulation is controlled 
without the need of
Pulse Width Modulation using a Direct Current (DC) method and so the screen 
is flicker free. 
The average contrast ratio of 
the screen was a very high 2679:1. We have not included the contrast stability 
graph as rounding errors lead to discrepancies with such a low black point 
measurement. 
  
  
  
  Testing 
Methodology
 
An 
important thing to consider for most users is how a screen will perform out of 
the box and with some basic manual adjustments. Since most users won't have 
access to hardware colorimeter tools, it is important to understand how the 
screen is going to perform in terms of colour accuracy for the average user. 
I 
restored my graphics card to default settings and disabled any previously active 
ICC profiles and gamma corrections. The screen was tested at default factory settings using the DVI interface, and analysed using 
an 
X-rite i1 
Pro Spectrophotometer (not to be confused with the  i1 Display Pro 
colorimeter) combined with
LaCie's Blue Eye Pro software suite. An X-rite i1 Display Pro colorimeter was 
also used to verify the black point and contrast ratio since the i1 Pro 
spectrophotometer is less 
reliable at the darker end. 
Targets for these tests are as follows:
 
  
CIE Diagram - validates the colour space 
covered by the monitors backlighting in a 2D view, with the black triangle representing the 
displays gamut, and other reference colour spaces shown for comparison
Gamma - we aim for 2.2 which is the default 
for computer monitors
Colour temperature / white point - we aim 
for 6500k which is the temperature of daylight
Luminance - we aim for 120 
cd/m2, which is 
the recommended luminance for LCD monitors in normal lighting conditions
Black depth - we aim 
for as low as possible to maximise shadow detail and to offer us the best 
contrast ratio
Contrast ratio - we aim 
for as high as possible. Any dynamic contrast ratio controls are turned off here 
if present
dE average / maximum - 
as low as possible. 
    
    
    If DeltaE >3, the color displayed is significantly different from the 
    theoretical one, meaning that the difference will be perceptible to the 
    viewer.
    If DeltaE <2, LaCie considers the calibration a success; there remains a 
    slight difference, but it is barely undetectable.
    If DeltaE < 1, the color fidelity is excellent. 
    
   
  
  
  
  Default Performance and 
  Setup
 
Default settings of the screen were as follows: 
    
  
    
      | 
      Monitor OSD Option | 
      Default Settings |  
      | 
      
      Brightness | 
      100 |  
      | 
      
      Contrast | 
      50 |  
      | 
      
      Picture Mode | 
      Standard |  
      | 
      
      RGB | 
      n/a |  
      | 
      Gamma | 
      3 |  
      | 
      Color Temperature | 
      Normal |  
  
  
 BenQ BL3200PT - Default Factory Settings
 
 
      
 
  
  
  
    
  
      |   | 
      Default Settings |  
  
      | 
      
      luminance (cd/m2) | 
      299 |  
  
      | 
      Black Point (cd/m2) | 
      0.12 |  
  
      | 
      Contrast Ratio | 
      2560:1 |  
  
Out of the box the screen looked reasonable to the naked eye although some grey shades didn't feel right and the screen 
was overly bright since it was at a default 100% brightness setting. You 
could tell the screen was a standard sRGB gamut of course, as compared with any 
wide gamut display. We went ahead and measured 
the default state with the i1 Pro. 
  
The
CIE diagram on the left of the image confirms that the monitors colour gamut 
(black triangle) is approximately equal to 
the sRGB colour space. There was some slight over-coverage in some shades which 
is represented by the known 79% NTSC gamut coverage (sRGB = approx 72% NTSC), 
but nothing too major. All sRGB was covered as specified in the panel spec 
sheet. Default gamma was recorded at a very high 2.8 average, leaving it 
with a large 28% deviance from the target of 2.2. This was causing some grey 
shades to look odd and overall affecting the image quality. White point was measured at 
6860k leaving it with a small 6% deviance from our target of 6500k and just a 
little too cool. 
  
 
  
Luminance was recorded at a very bright 299 
cd/m2 which is 
far 
 
too high for prolonged general use. The screen was set 
at a default 100% brightness in the OSD menu but that is easy to change of 
course to reach a more comfortable setting. The black depth was 0.12 cd/m2 at this default 
brightness setting, giving us a very high static contrast ratio of 
2560:1. 
Colour accuracy was very poor out of the 
box because of the very high gamma, with a default dE average of 6.0, and maximum of 
11.3.  
Testing the screen with various gradients showed smooth transitions with no sign 
of any banding thankfully. There was some  gradation evident in darker 
tones as you will see from most monitors. Overall we were disappointed with this 
out of the box setup as the very high gamma was causing a lot of issues with 
accuracy and image quality. Thankfully there is a gamma control in the OSD which 
we will test in a moment to see what we can do with just a couple of simple OSD 
changes.
 
  
  
  
 
We also tested the default setup when switching to 
the sRGB preset mode: 
    
  
    
      | 
      Monitor OSD Option | 
      Default Settings |  
      | 
      
      Brightness | 
      100 |  
      | 
      
      Contrast | 
      50 |  
      | 
      
      Picture Mode | 
      sRGB |  
      | 
      
      RGB | 
      n/a |  
      | 
      Gamma | 
      n/a |  
      | 
      Color Temperature | 
      n/a |  
  
  
 BenQ BL3200PT - Default Factory Settings, sRGB mode
 
 
  
  
  
    
  
      |   | 
      Default SettingssRGB mode
 |  
  
      | 
      
      luminance (cd/m2) | 
      299 |  
  
      | 
      Black Point (cd/m2) | 
      0.12 |  
  
      | 
      Contrast Ratio | 
      2448:1 |  
  
Switching to the sRGB mode brought about some 
improvements straight away which was pleasing. Gamma had dropped from 2.8 to 2.4 
now, bringing it within an 8% deviance of our target. White point remained a 
little too cool at 6847k, and a 5% deviance. With the improvement in the gamma 
the colour accuracy had improved greatly, with dE average now 2.6 and maximum of 
4.5.
 
    
  
  
  
 Colour Temperatures and Gamma
 
    
  
   
    
The BL3200PT features a few of 'color temperature' 
modes and a range of 5 gamma options 
 
within the OSD menu as shown in the included screen shots.  We measured the screen 
with the X-rite i1 Pro spectrophotometer in each of the preset modes to establish 
their colour temperature / white point. All other settings were left at factory defaults and no 
ICC profile was active. The results are recorded below: 
Colour Temperature 
    
    
      
        | 
        Selected 
        Preset Mode | 
        Measured 
        Colour temperature (k) |  
        | 
        Normal | 
        6843 |  
        | 
        Bluish | 
        9222 |  
        | 
        Reddish | 
        6083 |  
  
  There were only 3 colour temperature modes to 
  choose from, each doing what they were designed to do overall. The 'normal' 
  mode could have done with being a little closer to the 6500k white point we 
  felt, as it was slightly too cool. The reddish mode was also not particularly 
  warm, being only 6083k. Perhaps that should have been nearer 5000k.  
    
  
   
    
  Gamma 
      
        | 
        Selected 
        Gamma Mode | 
        Average 
        Gamma | 
        Deviance 
        from Target of 2.2 Gamma |  
        | 
        1 | 
        2.3 | 
        7% |  
        | 
        2 | 
        2.6 | 
        16% |  
        | 
        3 | 
        2.8 | 
        28% |  
        | 
        4 | 
        3.0 | 
        36% |  
        | 
        5 | 
        3.2 | 
        45% |  
    
The gamma mode option offered a little more 
control, as there were 5 options available. We had already seen that the default 
'3' mode was actually quite a long way out from the target of 2.2, with a large 
28% deviance. The closest setting we could get to 2.2 average gamma was mode 
'1', but even that was a little too high at 2.3 average (7% deviance). It is probably 
advisable to switch to this mode in the OSD as it does improve the overall image 
quality and colour accuracy noticeably, even if it's still not perfect. We 
switched to this mode in the OSD while leaving all other settings at default and 
re-checked the LaCie report to see what improvements had been made:
 
  
    
  
    
      | 
      Monitor OSD Option | 
      Default Settings |  
      | 
      
      Brightness | 
      100 |  
      | 
      
      Contrast | 
      50 |  
      | 
      
      Picture Mode | 
      Standard |  
      | 
      
      RGB | 
      n/a |  
      | 
      Gamma | 
      1 |  
      | 
      Color Temperature | 
      Normal |  
  
  
 BenQ BL3200PT - Default Factory Settings,
  Gamma Mode '1'
 
 
 
  
  
    
  
      |   | 
      Default SettingsGamma Mode 1
 |  
  
      | 
      
      luminance (cd/m2) | 
      297 |  
  
      | 
      Black Point (cd/m2) | 
      0.12 |  
  
      | 
      Contrast Ratio | 
      2341:1 |  
  
As you can see the average gamma was better now, 
measured at 2.3 average and with a 7% remaining deviance. The colour accuracy 
 
had improved a lot compared with the default mode '3', improving from dE 
average of 6.0 to 2.4 which was much better. If nothing else, you will want to 
switch to gamma mode '1' to improve the performance of the screen. If you have 
access to a calibration tool you can improve this even further of course, as we 
will look at in the next section. 
  
  
  
  
 
Calibration 
  
We used the
X-rite i1 Pro spectrophotometer combined with the LaCie Blue Eye Pro 
software package to achieve these results and reports. An  X-rite i1 Display Pro 
colorimeter was used to validate the black depth and contrast 
ratios due to lower end limitations of the i1 Pro device. 
  
  
    
  
    
      | 
      Monitor OSD Option | 
      Default Settings |  
      | 
      
      Brightness | 
      26 |  
      | 
      
      Contrast | 
      50 |  
      | 
      
      Picture Mode | 
      User |  
      | 
      
      RGB | 
      100, 97, 96 |  
      | 
      Gamma | 
      1 |  
      | 
      Color Temperature | 
      User Define |  
  
  
 BenQ BL3200PT 
  - Calibrated Settings
 
 
  
  
  
    
  
      |   | 
      Calibrated Settings |  
  
      | 
      
      luminance (cd/m2) | 
      119 |  
  
      | 
      Black Point (cd/m2) | 
      0.05 |  
  
      | 
      Contrast Ratio | 
      2464:1 |    
We first of all reverted to the 'user'  
preset  mode in the OSD menu to allow us maximum control over the settings at a 
hardware level. We also were able to switch to the 'user define' color 
temperature mode which allows you to alter the individual RGB channels. 
Adjustments were made during the process to the settings as shown in the table above 
which included switching to the optimum gamma mode of '1' as well. All these OSD 
changes allowed us to obtain an 
optimum hardware starting point and setup before software level changes would be 
made at the graphics card level. We left the  LaCie software to calibrate 
to "max" brightness which would just retain the luminance of whatever brightness 
we'd set the screen to, and would not in any way try and alter the luminance at 
the graphics card level, which can reduce contrast ratio. These adjustments 
before profiling the screen would help preserve tonal values and limit 
banding issues.  After this we let the software carry out the LUT adjustments and create an
ICC profile. 
  
Average gamma had been met now at 2.2 average, 
correcting the 7% deviance we'd seen out of the box when using the gamma mode of 
'1' in the OSD menu. The 
target white point was also now achieved as well at 6504k,  correcting a 5% 
default deviance. Luminance had also been improved thanks to the adjustment to 
the brightness control and was now being measured at 119 
cd/m2. This 
left us a black depth of 0.05 cd/m2 and delivered a very high static contrast ratio of 
2464:1. Colour accuracy of the resulting 
profile was excellent, with dE average of 0.4 and maximum of 1.3. LaCie would 
consider colour fidelity to be excellent. 
Testing the screen with various colour gradients 
showed mostly  smooth transitions. There was some  slight gradation in darker tones 
but no banding introduced due to the adjustments to the 
graphics card LUT from the profilation of the screen which was pleasing.  
You can use our settings and 
try our calibrated ICC profile if you wish, which are available in 
our ICC profile database. Keep in mind that results will vary from one 
screen to another and from one computer / graphics card to another. 
  
  
  
  
  
 
Calibration 
Performance Comparisons 
  
  
The comparisons made in this section try to give 
you a better view of how each screen performs, particularly out of the box which 
is what is going to matter to most consumers. When comparing the default factory 
settings for each monitor it is important to take into account several 
measurement areas - gamma, white point and colour accuracy. There's no point 
having a low dE colour accuracy figure if the gamma curve is way off for 
instance. A good factory calibration requires all 3 to be well set up. We have 
deliberately not included luminance in this comparison since this is normally 
far too high by default on every screen. However, that is very easily controlled 
through the brightness setting (on most screens) and should not impact the other 
areas being measured anyway. It is easy enough to obtain a suitable luminance 
for your working conditions and individual preferences, but a reliable factory 
setup in gamma, white point and colour accuracy is important and not as easy to 
change accurately without a calibration tool. 
 
  
From these comparisons we can also compare the 
calibrated colour accuracy, black depth and contrast ratio. After a calibration 
the gamma, white point and luminance should all be at their desired targets. 
  
 
  
Default setup of the screen out of the box was 
very poor overall. The main reason for this was the poor gamma curve, with the 
default gamma 3 setting giving us an average gamma far too high at 2.8 (28% out 
from the target of 2.2). White point was closer to its target at 6860k, with 
only a small 6% deviance. The poor gamma setup resulted in a very poor colour 
accuracy as well with an average dE of 6.0 which was a shame. This default setup 
was poor compared with most other screens we've tested as well, although all is 
not lost. It's possible to make significant improvements to the setup with a 
simple change to the OSD gamma control. If you change to gamma 1, the results 
are much better as we looked at earlier in the review (2.3 gamma, 
6846k white point, average dE much better at 2.4). Ideally this would have been 
the out-of-the-box configuration for optimum basic performance. 
  
 
  
 
  
The display did do very well in terms of black 
depth and contrast ratio though, thanks to its AMVA panel. We measured a 
calibrated contrast ratio of 2464:1 which far surpasses anything possible from 
TN Film, IPS or PLS panel technologies (around 1100:1 maximum). This was a 
better contrast ratio than we'd seen from the other AMVA panel here in the BenQ 
GW2760HS (1914:1), but a fair bit short from the MVA based Eizo FG2421 which had a 
staggering contrast ratio of 4845:1. Nevertheless, the contrast ratio was 
excellent here and certainly a strength of the BL3200PT. 
  
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 Viewing Angles
 
 Above: Viewing 
angles shown from front and side, and  from above and below. Click for 
larger image
 
Viewing angles of the BL3200PT were surprisingly 
good. We had seen some steps forward for VA viewing angles when we reviewed the
BenQ GW2760HS with its "Color Shift-Free Technology". This had given a 
marked improvement over older AMVA panels such as the
BenQ GW2750HM which is compared in the review of the GW2760HS linked. The 
viewing angles of the BL3200PT were perhaps even a little better still than the 
GW2760HS. There was less contrast shift horizontally and the wider viewing 
positions were less pale than on the GW2760HS. They were certainly much better 
than older AMVA panels which had a tendency to go very pale and also introduce 
an obvious colour shift. On the older GW2750HM for instance the image went very 
yellow from a horizontal angle. Vertically there was a slightly more pronounced 
contrast shift and the image went a little pale, but again not as noticeable as 
on the GW2760HS and without all the yellow colour shift of the GW2750HM. These 
improvements were very pleasing, and the BL3200PT was certainly a very good step 
forward when it comes to viewing angles. They weren't quite as wide as IPS-type 
panels, but they were certainly getting much closer. 
Despite these improvements users should still be 
aware that the panel still exhibits the off-centre contrast shift which is 
inherent to the VA pixel structure. When viewing a very dark grey font on a 
black background, the font almost disappears when viewed head on, but gets 
lighter as you move slightly to the side. This is an extreme case of course as 
this is a very dark grey tone we are testing with. Lighter greys and other 
colours will appear a little darker from head on than they will from a side 
angle, but you may well find you lose some detail as a result. This can be 
particularly problematic in dark images and where grey tone is important. It is 
this issue that has led to many graphics professionals and colour enthusiasts 
choosing IPS panels instead, and the manufacturers have been quick to 
incorporate this alternative panel technology in their screens. We would like to 
make a point that for many people this won't be an issue at all, and many may 
not even notice it. Remember, many people are perfectly happy with their TN Film 
panels and other VA based screens. Just something to be wary of if you are 
affected by this issue or are doing colour critical work. 
 Above: View of an 
all black screen from the side. Click for larger version
 
On a black image there was a slight white tint 
when viewed from a wide angle, but it's subtle. Certainly not the extreme white 
glow you see from a lot of IPS panels (commonly referred to as IPS-glow). Given 
the size of the screen you may notice some slight glow towards the corners if 
you're working with a lot of dark content or in darkened room conditions. That's 
just a result of the screen size and your line of sight. It certainly won't be 
as noticeable as on IPS panels and shouldn't be anything you notice in normal 
working. 
  Panel Uniformity
 
We wanted to test 
here how uniform the brightness and colour temperature was across the screen, as well as identify any 
leakage from the backlight in dark lighting conditions. Measurements of the luminance 
and colour temperature were taken at 35 points across the panel on a pure 
white background. The measurements for luminance were taken using BasICColor's calibration 
software package, combined with an X-rite i1 Display Pro 
colorimeter with a central point on the screen calibrated to 120 cd/m2. Measurements for colour temperature (white point) were taken using 
BasICColor software and the i1 Pro spectrophotometer which can more accurately 
measure the white point of different backlighting technologies. The below uniformity diagram shows the difference, as a percentage, 
between the measurement recorded at each point on the screen, as compared with the 
central reference point. 
It is worth 
noting that panel uniformity can vary from one screen to another, and can depend 
on manufacturing lines, screen transport and other local factors. This is only a 
guide of the uniformity of the sample screen we have for review. 
 
 Uniformity of Luminance
 
  
    The luminance uniformity of the screen was
    pretty good overall, 
    with some deviations in the upper corners and along the left hand edge. Here 
    the luminance dropped down to 97 cd/m2 minimum (-23.7% deviance). 
    The central regions of the screen were more uniform. Around 63% of the 
    screen was within a 10% variation from the centrally calibrated point. 
 Backlight Leakage
 
  Above: All black screen in a darkened room. Click for larger version
 
As usual we also tested the screen with an all 
black image and in a darkened room. A camera was used to capture the result. 
There was no obvious backlight bleeding detectable to the naked eye at all and 
blacks looked deep thanks to the high contrast ratio. The camera 
picked up some very slight clouding in the bottom right hand corner, but nothing 
you should notice in day to day use at all though. A very good result in terms 
of backlight bleed here. 
  
 General and Office Applications
 
 
The BL3200PT feature a large 2560 x 1440 WQHD 
resolution which we've seen for several years from 27" sized monitors. This is 
the first larger screen we've tested with the same resolution. As a result of 
the larger 32" screen size you are left with a larger pixel pitch than on a 27" 
monitor of course, and so text and fonts are bigger. On the BL3200PT the pixel 
pitch of 0.276 mm is quite a bit bigger than 0.231mm offered by a 27" monitor of 
the same res although certainly not too big we didn't feel. In fact it is 
smaller than on a 27" 1920 x 1080 resolution screen (0.311mm) and is very 
comparable to a 24" 1920 x 1200 res model (0.270 mm) in pixel pitch. Many people 
will find this an ideal pixel pitch we think, being more comfortable for a lot 
of text work without being too small, and without giving up the huge resolution 
which is great for multi-tasking and split-screen work. The thin bezel design 
also means the BL3200PT could be used nicely for multi-screen setups, although 
with a 32" screen size that might be a bit impractical for many. 
  
  
    
      | 
      Screen size | 
      24" | 
      27" | 
      27" | 
      32" |  
      | 
      Resolution | 
      
      1920 x 1200 | 
      
      1920 x 1080 | 
      
      2560 x 1440 | 
      
      2560 x 1440 |  
      | 
      Pixel Pitch (mm) | 
      
      0.270 | 
      
      0.311 | 
      
      0.231 | 
      
      0.276 |  
The massive resolution is really good for office 
and general use, giving you a really big screen area to work with. It is a 
noticeable upgrade from a 24" 1920 x 1200 resolution for multi-tasking and 
overall desktop area. For those wanting a high resolution for CAD/CAM, design, photo work etc, 
this is a really good option. The image was very sharp and crisp and text was 
very clear. 
With its WQHD display, you enjoy 77% more desktop space than a full HD screen to 
spread out your windows and palettes. The light AG, semi-glossy coating from the AMVA panel is a 
positive feature when it comes to these kind of uses and we had been pleased with the coating on 
this model. This light panel coating ensures that white backgrounds of office 
documents looked good, and did not suffer from the overly grainy and dirty feel 
of some competing  panels featuring heavy, aggressive AG coating. It also 
remained free from the reflections you might experience from a full glossy 
solution so seems to be a good half-way between the two.  
The
wide and 
improved viewing angles provided by the modern AMVA panel in both horizontal and 
vertical planes, helps minimize on-screen colour shift when viewed from 
different angles. You do have to contend with the off-centre contrast shift 
inherent to VA panels which can lead to some detail being lost in darker content 
when viewed head on. It's not a major problem but it's one of the reasons why 
IPS is considered a better choice for colour critical work. There is minimal 
white glow on dark content from an angle, certainly nothing like you see on most 
IPS panels. The sheer size of the screen may create some minor issues with glow 
visibility towards the corners depending on your viewing position and line of 
sight. 
The 
default setup of the screen was poor overall which was a shame. However it was 
easy enough to change the gamma setting in the OSD menu to return a much better 
performance which should provide a reasonably reliable setup for those who don't 
have access to a calibration device of their own. The gamma and white point were 
a little off sadly, but the contrast ratio was excellent which you would hope 
for from a modern AMVA panel. There are plenty of colour preset modes to play 
around with as well including an option for CAD/CAM where the sharpness is 
accentuated a little and the preset is specifically set up for high detail work. 
There's certainly plenty of preset modes to play around with if you want to 
change anything. The Low Blue Light mode may also be useful to some users who 
are sensitive to the blue spectral output from the W-LED backlight unit. We had 
seen this work well to limit the blue spectrum on the
BenQ XL2720Z and so this is quite a useful feature for eye comfort. 
The brightness 
range of the screen was  very good, with the ability to offer a luminance 
between approximately 283 and 59 cd/m2. This should mean the screen 
is perfectly useable in a wide variety of ambient light conditions, including 
darkened rooms. A setting of ~24 in the OSD brightness 
control should return you a luminance close to 120 cd/m2. 
The backlight regulation is controlled  
without the need for 
Pulse-Width modulation (PWM) and using a Direct Current (DC) method and so the 
screen can be classified as  flicker-free which is great news. 
There was no audible buzzing from the screen, even when specifically looking for 
it using test images with a large amount of text at once. The screen remains 
cool even during prolonged use.  
The screen also has a wide range of any extras 
features which will be useful in office environments. The stand has a full range 
of adjustments for tilt, height, swivel and rotate so you can obtain comfortable 
of viewing positions no matter what your need. There are 2x USB 2.0 and 2x USB 
3.0 ports on the monitor, with the USB 3.0 ports located on the right hand edge 
for easy access. There is also an integrated SD card reader on the right hand 
side which might well be useful. The BL3200PT also has built in 2x 5W stereo 
speakers, an ambient light sensor and a human motion sensor as well. There's 
even the useful and quite fancy OSD controller switch provided. BenQ have done 
an excellent job here providing all the extras you might need.
 
  Above: photo of 
text at 2560x 1440 (top) and 1920 x 1080 (bottom)
 
The screen is designed to run at its native 
resolution of 2560 x 1440 and at a 60Hz recommended refresh rate. However, if 
you want you are able to run the screen outside of this resolution. We tested 
the screen at a lower 1920 x 1080 resolution to see how the screen handles the 
interpolation of the resolution, while maintaining the same aspect ratio of 
16:9. At native resolution the text was sharp as you can see from the top 
photograph. When you switch to a lower resolution the text is larger of course 
but still clear enough with only low amounts of overlap between pixels. The 
screen seems to interpolate the image well although you of course lose a lot of 
desktop real-estate running at a lower resolution.  
  Responsiveness and Gaming
 
  
  
    
      | 
      Quoted G2G Response Time | 
      4ms G2G |  
      | 
      Quoted ISO Response Time | 
      12ms |  
      | 
      Panel Manufacturer and 
      Technology | 
      AU Optronics AMVA |  
      | 
      Panel Part | 
      M320DVN01.0 |  
      | 
      Overdrive Used | 
      Yes |  
      | 
      Overdrive Control Available to 
      User | 
      AMA Option |  
      | 
      Overdrive Settings | 
      Off, High, Premium |  
The BL3200PT is rated by BenQ as having a 4ms G2G response time 
which indicates the panel uses 
overdrive / 
response time compensation (RTC) technology to boost pixel transitions 
across grey to grey changes. There is  user control over the overdrive impulse 
within the OSD menu using the 'AMA' (Advanced Motion Accelerator) option. The 
part 
being used is the
AU Optronics M320DVN01.0 AMVA panel. Have a read about response time in 
our
specs section if you need additional information about this measurement. 
We will first test the screen using our thorough
response time testing method. This uses an oscilloscope and photosensor to 
measure the pixel response times across a series of different transitions, in 
the full range from 0 (black) to 255 (white). This will give us a realistic view 
of how the monitor performs in real life, as opposed to being reliant only on a 
manufacturers spec. We can work out the response times for changing between many 
different shades, calculate the maximum, minimum and average grey 
to grey (G2G) response times, and provide an evaluation of any overshoot present 
on the monitor. 
We use an
ETC M526 
oscilloscope for these measurements along with a custom photosensor device. 
Have a read of
our response time measurement article for a full explanation of the testing methodology and reported 
data. 
AMA Setting Comparison 
 
First of all we carried out a smaller sample set 
of measurements in each of the three AMA settings. These, along with various 
motion tests allowed us to quickly identify which was the optimum AMA setting 
for this screen. 
 
We first of all tested the response time with the 
AMA setting 'Off'. As you can see, the response times were very mixed. Some 
transitions were extremely slow, particular on rise times (changes from dark to 
light shades). The average G2G response time measured was 14.7ms, but some 
transitions ranged up from 20 - 45ms which was poor. On the plus side, no 
overshoot was introduced at all since overdrive was not being used. 
 Transition: 50-150-50 (scale = 
20ms)
 
Above is an example of an overall slow transition 
from 50-150-50. The rise time (24.7ms) has a slow upwards curve and even the 
fall time (17.1ms) has a gentle curve as it reaches towards the required 
brightness. 
 Transition: 0-50-0 (scale = 20ms)
 
Above is the worst case example, showing the very 
slow transition from 0-50. The rise time has a step in it but overall takes 
forever (44.3ms) to reach within 10% of the required brightness. This was the 
slowest transition we measured in this small sample set. 
  
 
We then switched to the AMA 'High' mode which 
historically tends to be the optimum response time setting for BenQ monitors. We 
can see that most transitions were sped up, even if only by a small amount and 
this resulted in an average G2G response time now of 11.6ms. There was still a 
big problem with the 0-50 transition (41.0ms) but some of the others had been 
improved by a fair bit. The 0-150 transition for instance had been sped up from 
20.0 to 8.9ms thanks to the applied overdrive impulse. Also the 255-150 
transition had improved from 11.8 to 6.6ms. So the overdrive impulse was doing 
quite a good job of pushing the response times all over, and improving some of 
the very slow transitions we'd seen before. You couldn't call response times 
fast though really, but there was some improvement at least. There was some overshoot introduced 
as a result, most notably on those transitions we've just looked at where there 
had been the most significant improvement. This is probably to be expected but 
overall there was no severe overshoot. 
 Transition: 150-255-150 (scale = 
20ms)
 
Above is an example of a transition which had been 
sped up nicely (255-150, the fall time) but had introduced some overshoot (9.2%) where 
you can see the line peaks below the desired brightness level for a moment. 
  
 Finally 
we switched to the maximum AMA setting of 'Premium'. On the positive side the 
response times had been reduced significantly, now with an average G2G of only 
7.0ms, less than half that we had measured with AMA off. However there was some 
massive overshoot introduced, some of it was ridiculous in fact at 94.5%! This 
meant that overall the AMA Premium mode was unusable, and we've seen that from 
other BenQ screens in the past.  
 Transition: 0-50-0 (scale = 20ms)
 
The 0-50 transition had been improved quite a lot 
with AMA Premium mode, cutting it down from 44.3ms with AMA Off, to 11.5ms here. 
There was some slight overshoot introduced as a result (8.9%). If you compare 
this oscilloscope graph with the 0-50 transition from AMA Off you can see the 
different shape of the curve and how much quicker it was here for this 
particular transition. 
 Transition: 0-150-0 (scale = 
20ms)
 
The levels of overshoot on some transitions were 
absolutely massive, especially this change from 0-150 (94.5% overshoot). 
  
If we take some test photos using the PixPerAn 
tool you can make some further visual comparisons between the AMA settings. With 
AMA off the slow response times lead to a pronounced blur to the moving image in 
practice which you can easily see. Turning the AMA up to High brings some minor 
improvement in visual appearance. The blur is reduced a little and the moving 
image becomes a little sharper. It's not a huge difference though to be honest 
and you're still left with some blurring and trail images. The Premium setting 
is too aggressive though and you are left with some very noticeable overshoot 
artefacts in the form of both dark and light halos and shadows. Again these 
tests confirm the High setting to be optimal on this model.   
More Detailed Measurements - AMA High 
Having established that the AMA 'High' mode seemed to 
offer the better response/overshoot balance we carried 
out our normal wider range of measurements as shown below: 
  
 
The average G2G response time was more accurately 
measured at 10.8ms which was not too bad overall, but there was still some major 
differences between the speeds of different transitions. The rise times (changes 
from dark to light shades) were a bit slower overall than fall times (changes 
from light to dark shades). The average rise time was 12.7ms, while the average 
fall time was 8.9ms. The slowest transition came in the rise time from 0-50 
which was measured at 41.0ms, but this was really the exception it seemed. Some 
other transitions, particularly between closer shades, were quite slow at around 
12 - 16ms. Some response times were faster at around 5 - 8ms. The fastest 
response time measured was 4.0ms, but this did introduce a large overshoot as a 
result as you can see in the below table.   
 
 
The AMA High setting didn't introduce much 
overshoot at all thankfully. There were a couple of transitions where some was 
introduced, with the only major issue being the fastest response time when 
changing from 255-200 (38.3% overshoot). All in all though this AMA setting was 
good in terms of overshoot artefacts. 
 Transition: 200-255-200 (scale = 
20ms)
 
For reference above is the oscillograph for the 
worst case overshoot, on the transition from 255-200, where it measured 38.3%. 
  Display Comparisons
 
 
As we begin to measure more screens with the 
oscilloscope system we can begin to plot them on a graph like the above for easy 
comparison. This shows you the lowest, average and highest G2G response time 
measurement for each screen. There is also a traffic light style circle mark to 
indicate the RTC overshoot error for each screen, as the response time figure 
alone doesn't tell the whole story. 
The response time performance of the BL3200PT is 
pretty comparable to the other AMVA screen we've tested here, the BenQ GW2760HS. 
Average response times were basically the same, being quite modest at around 
10.8 - 10.9ms, but with a few troublesome transitions which were much slower. 
The IPS type panels generally offered a slightly faster average response times 
where overdrive was being correctly applied, with the best models (Dell P2414H, 
U2414H for example) showing around 8 - 9ms G2G without introducing large amounts 
of overshoot. IPS response times could be pushed a little further to around 7 - 
8ms, but not without introducing very large overshoot errors (e.g. Dell U2413, 
U2713H, U3014). Some IPS panels were slower on average where overdrive was weak 
(Achieve QH300-IPSMS, QNIX QX2710 for instance). The TN Film models like the 
BenQ XL2720Z achieve much faster overall 
response times, around 3.8ms G2G average, so if you're looking for a gaming screen you may want to consider 
TN Film technology. 
  
The screen was also tested using the chase test in 
PixPerAn for the following display comparisons. As a reminder, a series of 
pictures are taken on the highest shutter speed and compared, with the best case 
example shown on the left, and worst case example on the right. This should only 
be used as a rough guide to comparative responsiveness but is handy for a 
comparison between different screens and technologies as well as a means to 
compare those screens we tested before the introduction of our oscilloscope 
method. 
 32" 
4ms 
G2G AU Optronics AMVA (AMA Setting = High)
 
In practice the BenQ BL3200PT performed best with 
the AMA setting on 'High'. There was still some noticeable blurring to the 
moving image and response times were not as good as you will see from some 
screens. This is fairly typical of AMVA panel technology though and there at 
least wasn't any obvious overshoot problems in practice thankfully. 
 32" 
4ms 
G2G AU Optronics AMVA (AMA Setting = High)
 
 27" 4ms G2G AU 
Optronics AHVA (AMA Setting = High)
 
 27" 8ms G2G 
LG.Display AH-IPS
 
 27" 5ms G2G 
Samsung PLS (Trace Free = 40)
 
 27" 12ms G2G 
Samsung PLS (Response Time = Advanced)
 
Firstly it is interesting to compare the BL3200PT to some of the other popular 27" 
models we have tested with 2560 x 1440 resolutions and IPS-type panels (IPS, PLS 
and AHVA). You can 
see first of all a comparison against the
BenQ BL2710PT which shows a very comparable performance to the BL3200PT in 
practice, with similar levels of blur. the BL2710PT felt a little faster as it 
didn't have some of the much slower transitions of the BL3200PT, but it was very 
close. The 
Dell U2713HM was  faster and eliminated 
a lot of the visible blurring, but also remained free from overshoot which was 
a bonus. The 
Asus PB278Q was again  faster than the 
BL3200PT and although it showed a little dark overshoot it was very slight. The
ViewSonic VP2770-LED was more comparable to the BenQ BL2710PT and BL3200PT 
in visible blurring, although felt a bit faster in practice with more consistent 
response time.
 
  
 32" 
4ms 
G2G AU Optronics AMVA (AMA Setting = High)
 
 27"WS 4ms G2G AU Optronics AMVA (AMA = High)
 
We have provided a comparison of the BL3200PT 
against another AMVA based screen, BenQ's own GW2760HS. Performance was very 
comparable between the two really. Both had shown some improvements compared 
with older generation AMVA panels, but they can't keep up with some other panel 
technologies for gaming.
 
 32" 
4ms 
G2G AU Optronics AMVA (AMA Setting = High)
 
 27" 2ms G2G Chi 
Mei Innolux TN Film +144Hz (Trace Free = 60)
 
 27" 1ms G2G 
AU Optronics TN Film + 144Hz (AMA = High)
 
 23.5" 4ms G2G 
Sharp MVA + 120Hz
 
We've also included a comparison above against 
3 very fast 120Hz+ compatible screens we have tested. The other screens shown 
here are all aimed primarily at gamers and have various features and extras 
which make them more suitable overall for gaming. 
Firstly there is a  comparison against the 
Asus VG278HE with its 144Hz refresh 
rate and fast response time TN Film panel. This showed very fast pixel response times and smooth movement thanks to 
its increased refresh rate. You are able to reduce the motion blur even more 
through the use of the LightBoost strobed backlight which we talked about in 
depth in our article about
Motion Blur Reduction Backlights. 
Then there is a comparison against the
BenQ XL2720Z with another very fast TN Film panel and 144Hz refresh rate. 
This showed very low levels of motion blur, but some dark overshoot was 
introduced as a side-effect as you can see. This screen even includes a native 
Blur Reduction mode to help eliminate further perceived motion blur. 
Lastly there is the MVA based Eizo FG2421 screen 
with a fast response time (especially for the panel technology being used) and 
120Hz refresh rate support. There is also an additional 'Turbo 240' motion blur 
reduction mode which really helps reduce the perceived motion blur in practice. 
While these pixel response tests from PixPerAn 
give one view of the performance of the panel, there is something else going on as well here  which can't be picked out by the camera. All of these other 
gaming models are 
running at 120Hz (or higher) refresh rates, which allows for improved 120fps+ frame rates and 
in some cases the support of
3D stereoscopic content as well. This can really help improve smoothness and 
the overall gaming experience so these screens still have the edge when it comes 
to fast gaming. Any additional extras to reduce perceived motion blur can also 
have a real benefit in practical terms, and again not easy to pick out with this 
camera method. 
 
 
  
The overall gaming performance of the BL3200PT was 
moderate overall, and fairly typical for a modern AMVA panel. Average response 
times of 10.8ms were reasonable, although some transitions were problematic and 
a fair bit slower. The AMA High setting was definitely the best option on this 
model, and there were minimal overshoot introduced thankfully which was 
pleasing. The additional screen size of the 32" diagonal was a positive upgrade 
from 27" 1440p resolution screens, adding to the feeling of immersion and also 
providing a more attractive option for consoles and external devices because of 
the size. If gaming is really your priority you may want to consider some of the more gamer orientated 120Hz+, TN Film 
based compatible displays out 
there, or perhaps something like the Eizo FG2421. Even better still would be models equipped with
LightBoost systems or other motion blur reduction backlights for optimum 
motion blur elimination.  
 
  Additional Gaming Features
 
 
Aspect Ratio Control -  
The BL3200PT has a very wide range of
aspect ratio control options through the OSD 'Picture Advanced' menu, using 
the 'Display Mode' option. There are options for full, aspect, 1:1 pixel mapping 
and then a range of specific modes to simulate certain screen sizes (19", 22" 
16:10 aspect, 23" 16:9, 24" 16:9, 24" 16:10, 27" 16:9, 27" 16:10 and 30" 16:10). 
Certainly a great selection of options which was great to see and should meet 
all your needs. 
Preset Modes -  
There are no specific gaming preset modes 
available in the OSD although there are plenty of other modes you can set up to 
your liking for gaming needs. The OSD controller switch device might be useful 
to allow you to quickly and easily switch between different modes too. 
 
  Lag
 
We have  written an in depth article about
input lag and the various measurement techniques which are used to evaluate 
this aspect of a display. It's important to first of all understand the 
different methods available and also what this lag means to you as an end-user. 
Input Lag vs. Display Lag vs. Signal 
Processing 
To avoid confusion with different terminology we 
will refer to this section of our reviews as just "lag" from now on, as there 
are a few different aspects to consider, and different interpretations of the 
term "input lag". We will consider the following points here as much as 
possible. The overall "display lag" is the first, that being the delay between 
the image being shown on the TFT display and that being shown on a CRT. This is 
what many people will know as input lag and originally was the measure made to 
explain why the image is a little behind when using a CRT. The older stopwatch 
based methods were the common way to measure this in the past, but through 
advanced studies have been shown to be quite inaccurate. As a result, more 
advanced tools like SMTT provide a method to measure that delay between a TFT 
and CRT while removing the inaccuracies of older stopwatch methods.  
In reality that lag / delay is caused by a 
combination of two things - the signal processing delay caused by the TFT 
electronics / scaler, and the response time of the pixels themselves. Most 
"input lag" measurements over the years have always been based on the overall 
display lag (signal processing + response time) and indeed the SMTT tool is 
based on this visual difference between a CRT and TFT and so measures the 
overall display lag. In practice the signal processing is the element which 
gives the feel of lag to the user, and the response time of course can 
impact blurring, and overall image quality in moving scenes. As people become 
more aware of lag as a possible issue, we are of course keen to try and 
understand the split between the two as much as possible to give a complete 
picture. 
The signal processing element within that is quite 
hard to identify without extremely high end equipment and very complicated 
methods. In fact the studies by Thomas Thiemann which really kicked this whole 
thing off were based on equipment worth >100,1000 Euro, requiring extremely high 
bandwidths and very complicated methods to trigger the correct behaviour and 
accurately measure the signal processing on its own. Other techniques which are 
being used since are not conducted by Thomas (he is a freelance writer) or based 
on this equipment or technique, and may also be subject to other errors or 
inaccuracies based on our conversations with him since. It's very hard as a 
result to produce a technique which will measure just the signal processing on 
its own unfortunately. Many measurement techniques are also not explained and so 
it is important to try and get a picture from various sources if possible to 
make an informed judgement about a display overall.  
For our tests we will continue to use the SMTT 
tool to measure the overall "display lag". From there we can use our 
oscilloscope system to measure the response time across a wide range of grey to 
grey (G2G) transitions as recorded in our
response time 
tests. Since SMTT will not include the full response time within its 
measurements, after speaking with Thomas further about the situation we will 
subtract half of the average G2G response time from the total display lag. This should allow us to give a good estimation of 
how much of the overall lag is attributable to the signal processing element on 
its own. 
  
Lag Classification To help in this section we will also introduce a broader classification system 
for these results to help categorise each screen as one of the following levels:
 
  
  
  Class 1)
  
  
  Less than 16ms / 1 frame lag - should be fine for gamers, even at high levels
  
  Class 
  2) 
  A lag of 16 - 
  32ms / One to two frames - moderate lag but should be fine for many gamers. 
  Caution advised for serious gaming and FPS
  
  Class 
  3) 
  A lag of more 
  than 32ms / more than 2 frames - Some noticeable lag in daily usage, not 
  suitable for high end gaming 
 
  
    
For the full reviews of the models compared here and the dates they were written 
(and when screens were approximately released to the market), please see our
full 
reviews index. 
  
  
    
      | 
        
        
          
            | 
            
            (Measurements in ms) | 
            User Mode |  
            | 
            Total Display Lag (SMTT 
            2) | 
            23.0 |  
            | 
            Pixel Response Time 
            Element | 
            5.4 |  
            | 
            Estimated Signal 
            Processing Lag | 
            17.6 |  
            | 
            Lag Classification | 
            2 |   
       | 
      
       
      
       Class 2 |  
We have provided a comparison above against other 
models we have tested to give an indication between screens. Those shown with 
blue bars in the bottom half represent the total "display lag" as at the time of 
review we did not have access to an oscilloscope system to measure the response 
time element and provide an estimation of the signal processing. The screens 
tested more recently in the top half are split into two measurements which are 
based on our overall display lag tests (using SMTT) and half the average G2G 
response time, as measured by the oscilloscope. The response time is split from 
the overall display lag and shown on the graph as the green bar. From there, the 
signal processing (red bar) can be provided as a good estimation. 
The screen showed a total average display lag of 
23.0ms as measured with SMTT 2. Taking into account half the average G2G 
response time at 5.4ms, we can estimate that there is ~17.6ms of signal 
processing lag on this screen. This is quite high and so might not be suitable 
for fast FPS type gaming for many users. 
  
 Movies and Video
 
 
The following summarises the screens performance 
in video applications: 
  
  32" 
  screen size makes it a good option for an all-in-one multimedia screen, 
  but being quite a bit smaller than most modern LCD TV's of course.
  16:9 
  aspect ratio is more well suited to videos than a 16:10 format screen, leaving 
  smaller borders on DVD's and wide screen content at the top and bottom.
  2560 x 
  1440 resolution can support full 1080 HD resolution content.
  
  Digital interface support HDCP for any encrypted and protected content
  
  DVI, DisplayPort, D-sub and  
  HDMI 
  connections available, offering great connectivity choices for modern DVD 
  players, Blu-ray, consoles etc. 
  
  Cables provided in the box 
  for DVI, DisplayPort and VGA, but not HDMI.
  Light 
  AG coating provides clear  images with no major graininess, and without 
  the unwanted reflections of a glossy solution.
  Wide 
  brightness range adjustment possible from the display, including high maximum 
  luminance of ~283 
  cd/m2 and a good minimum luminance of 
  ~59 cd/m2. This should afford you very good control for different 
  lighting conditions. Contrast ratio remains stable across that adjustment 
  range as well and is very high thanks to the AMVA panel. Brightness regulation is controlled 
  without the need for PWM and so is flicker free.
  Black 
  depth and contrast ratio are very strong thanks to the AMVA panel at 2464:1 after 
  calibration. Detail in darker scenes should not be lost as a result.
  There 
  is a specific 'movie' preset mode available for movies or video if you want, 
  but the colours look odd and so it might be better to set up one of the other 
  modes to your liking.
  
  Reasonable pixel responsiveness which can handle fast moving scenes in movies 
  without issue. No real overshoot issues  which is good news.
  
  Wide and improved viewing angles from modern AMVA panel 
  technology meaning several people could view the screen at once comfortable 
  and from a whole host of different angles. White glow from an angle on black 
  content is minimal.
  
  No  noticeable backlight leakage which is good, even in darkened 
  room conditions. Deep blacks give a great contrast in darkened rooms.
  
  Wide range of ergonomic adjustments available 
  from the stand, allowing you to obtain a comfortable position for multiple 
  users or if you want to sit further away from the screen for movie viewing.
  2x 5W 
  integrated stereo speakers on this model and a headphone jack if sending sound 
  to the screen over HDMI.
  Very 
  wide  range of 
  hardware aspect ratio options available which is very useful for external 
  devices.
  
  Picture in picture (PiP) and Picture By Picture (PbP) are not available on 
  this model.
 
 
    
  
    
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 Conclusion
 
The BenQ BL3200PT was a really impressive screen 
we felt, for many reasons. BenQ have pulled out all the stops to deliver just 
about every feature and extra you could hope for. The stand was versatile and 
provided an excellent range of adjustments, there was a full range of 
connectivity options, USB 3.0 ports, touch sensitive control buttons, an SD card 
reader, speakers, ambient light sensor, motion sensor and the cool new OSD 
controller switch. An excellent job providing a massive range of options from a 
feature point of view we felt. User comfort is also a priority and the flicker 
free backlight was very welcome, as was the light AG coating and Low Blue Light 
mode. 
Performance wise there were a few areas which were 
a bit disappointing. The default setup was very poor, although to be fair a 
simple change of one OSD option fixed a lot of that problem, if not completely. 
Response times were still a bit of an issue for this panel technology, although 
it was about as good as you can hope for from a modern AMVA panel. The panel 
excelled when it came to black depth and contrast ratio as you might expect, and 
the improved AMVA viewing angles were a pleasant surprise certainly. The large 
screen size was very nice for a whole range of uses, especially gaming and 
video. The 2560 x 1440 resolution provided a comfortable pixel pitch and font 
size we felt which might well be preferred by a lot of users compared with the 
small fonts on 27" models carrying the same resolution. The screen is available 
for ~�500 GBP (inc VAT) which makes it a very reasonable price indeed. 
If you appreciate the review 
and enjoy reading and like our work, we would welcome a 
donation 
to the site to help us continue to make quality and detailed reviews for you.
 
  
  
    
      | 
      Pros | 
      Cons |  
      | 
      Huge range of extras and 
      features | 
      Poor default setup, although 
      easy to improve with 1 OSD change |  
      | 
      Excellent black depth and 
      contrast ratio | 
      Variable response times, not 
      as fast as other panel techs |  
      | 
      Improved AMVA viewing angles | 
      Moderate input lag so maybe 
      not suitable for fast gaming |  |