Introduction
It's been about 18 months since we saw some
interesting new models from HP. They have of course been producing monitors and
computers for many years, but it was back in September 2008 when they sparked
our interest with the launch of their
HP LP2475W monitor. This was an interesting model featuring an IPS panel and
some pretty high end specs which at the time were quite unique in the 24"
sector. There were hardly any IPS panels at this size available and the LP2475W
became the first of a new wave of screens offering this technology to the masses. Around the
same time HP released a 22" equivalent, again breaking from the market norm of
TN Film panels, and offering a model based on S-PVA technology. Their
LP2275W also became a bit of a trend setter and other manufacturers soon
followed with IPS, MVA and PVA offerings in this kind of size range. In April
2010 they released their ZR range of monitors as well, including a new 24"
offering and a new 21.5" model. The
ZR24W was another IPS addition to the 24" market and was a very popular
choice since it was again breaking market trends. It was not following the
pattern of high gamut colour spaces which was becoming popular with
manufacturers at the time, instead being a rare standard gamut IPS
offering in the 24" space.
Now HP have released a collection of 4 new
models in their ZR range of screens, again bound to attract a lot of attention.
There are models available in sizes of 20, 21.5, 24 and 27 inches. We have
already reviewed in detail the
21.5" ZR2240w and
27" ZR2740w, and now we have
with us
the 24" model for a full test. This 24" model is called the ZR2440w. HP have stuck with IPS panel technology throughout the range and
also now combined this with the currently popular W-LED backlighting.
The ZR2440w is marketed as follows on HP's
website: "The completely redesigned HP ZR2440w 24� LED Backlit IPS
Monitor is a 16:10 LED-based display with a breadth of new features and an LED
backlight in a design that is ultra-modern and sleeker than ever to perfectly
complement HP Z Workstations."
Specifications and Features
The following table gives detailed information
about the specs of the screen:
Monitor
Specifications |
Size |
24.1"WS (61.13 cm) |
Panel Coating |
Anti-glare (matte) |
Aspect Ratio |
16:10 |
Interfaces |
DVI-D, HDMI, DisplayPort
(all HDCP supported) |
Resolution |
1920 x 1200 |
Pixel Pitch |
0.270 mm |
Design
colour |
black plastic bezel and stand |
Response Time |
6ms G2G |
Ergonomics |
-5� ~ 35� Tilt, 100mm height, full pivot and 45� swivel |
Static Contrast Ratio |
1000:1 |
Dynamic Contrast Ratio |
2 million:1 |
VESA Compatible |
Yes 100mm |
Brightness (cd/m2) |
50 to 350 |
Accessories |
DVI cable,
DisplayPort cable, Power cord, USB cable |
Viewing Angles |
178/178 |
Panel Technology |
e-IPS |
Weight |
With stand: 7.6Kg |
Backlight Technology |
W-LED |
Physical Dimensions
|
(WxHxD with
stand, max height)
562 x 529 x 235 mm |
Colour Depth |
16.7m
(6-bit + AFRC) |
Colour Gamut |
Standard gamut (~sRGB)
71% NTSC, 95.8% sRGB, 74.3% Adobe RGB |
Special
Features |
4
port USB 2.0 hub |
The ZR2440w offers a decent enough range of connections
although in my opinion it is missing something. There are 1x DVI-D,
1x HDMI and 1x DisplayPort interfaces available. The digital
connections are all HDCP certified and it's great to see DisplayPort and HDMI included for connection of
popular external devices like games consoles and Blu-ray players. However, the
screen is notably missing a D-sub VGA connection which I think is a shame.
The screen is packaged with cables for DVI and
DisplayPort. It might have been nice to include an HDMI cable as well which
would have been useful seeing as the screen offers an HDMI connection too.
Presumably a cost saving exercise like on the smaller ZR2240w model.
HP have included a 4 port USB 2.0 hub which is
useful, and something which has been available on the previous models as well.
There are no further features here such as ambient light sensors, integrated
speakers, card readers etc.
Below is a summary of the features and connections of
the screen:
Feature |
Yes / No |
Feature |
Yes / No |
Tilt adjust |
|
DVI |
|
Height adjust |
|
HDMI |
|
Swivel adjust |
|
D-sub |
|
Rotate adjust |
|
DisplayPort |
|
VESA compliant |
|
Component |
|
USB Ports |
|
Composite |
|
Card Reader |
|
Audio connection |
|
Ambient Light Sensor |
|
HDCP Support |
|
Touch Screen |
|
Integrated Speakers |
|
Hardware calibration |
|
Uniformity correction |
|
Design and Ergonomics
Above:
front view of the screen
The ZR2440w comes in an all black design,
with matte plastics used for the bezel and screen casing as well as for
the stand and base. There is a small silver coloured HP logo in the centre
of the top bezel and in the bottom left hand corner a badge saying 'HP
ZR2440w'. The bezel is ~20mm thick along all the edges and overall the
screen looks similar to its smaller 21.5" brother, the ZR2240w. The 27"
ZR2740w on the other hand had a more blocky and chunky appearance with a
proportionally thicker bezel.
Above: front view of the screen, click for larger versions.
The design is the same as the older
ZR24W
model. You can see here that the stand has a fairly large footprint which
helps to give it a sturdy base on the desk. The arm which then connects
onto the back of the screen has a small gap at the back which can be used
as a cable tidy.
The panel coating is a standard matte anti-glare (AG) coating. Some users
complain about modern IPS panels having an overly aggressive coating.
Personally I do not find the coating on this screen to be too bad but it can
of course be subjective. The coating
seems to be a little lighter than on some of the other models we've seen such
as the Dell U2410 and the recently tested NEC P241W, with a slightly less grainy feel.
It is still quite grainy though and it won't feel the same as some of the
glossy or semi-glossy screens of course.
Above: back
views of the screen and stand. Click for larger versions
The back of the screen is squared off and
encased in black plastic as well. There is a larger round HP logo near the
top. You will also notice that there is a carry handle situated at the top
which can be useful when moving the screen around. The monitor arm and
stand click easily into place onto the back of the screen and there is a
plastic release button which makes it easy to disconnect if you need to.
Above: further
rear views of the screen showing the stand, base and carry handle. Click
for larger versions.
Above is a closer look at the base of the
stand and the back of the screen. You will notice that on the left hand
side of the screen there is a section which sticks out a little, where
there are 2 USB 2.0 ports available. We will show a closer view of these
in a moment.
Above: Front
views showing minimum and maximum height adjustment from the stand. Click
for larger versions
There is a reasonable height adjustment
available which allows you to adjust the height within a range of 100 mm. At
the lowest setting the bottom of the screen is 62 mm from the level of the
desk. In fact at this lowest setting the height adjustment clicks into
place and is locked. This is designed so that you can package and carry it
more easily. There is a small plastic button on the back of the stand you
can press to release the adjustment again. At the highest adjustment the
bottom of the screen is 162 mm above the height of the desk. The minimum
and maximum range is shown in the photos above. The movement is
quite smooth and fairly easy and easy to use, if perhaps a little stiff.
Above: Side
views showing profile and range of tilt adjustment. Click for larger
versions
The tilt range of the screen is very wide as
shown above, allowing you to obtain a comfortable angle depending on your
working conditions. The movement is smooth and pretty easy to use
thankfully. You may notice that the side profile of the screen is quite a
bit thinner than the HZ24W model. This is thanks to the use of W-LED
backlighting instead of a CCFL unit like on the old model and it now
measures 61.0mm depth (panel only).
Above:
Demonstration image of the rotation function of the screen.
Above: rotated
view of the screen, click for larger version
The screen offers a rotate function as shown
above in case you want to switch between landscape and portrait modes.
This might be useful on a smaller model like this and I always question
its real value on larger screens. The movement of this is quite 'jumpy'
and very stiff to use however. The screens side to side swivel is quite smooth
but again stiff to operate. The base does maintain its position on the
desk when you make the movements though.
Above: view
showing pivoted range of the screen from side to side. Click for larger
versions
It's good to see the full range of adjustments available and the screen
feels very sturdy and well balanced. Some of them are a little stiff to
use but they are still there and the main adjustments of height and tilt
are smooth and simple enough to operate which is good.
A summary of the screens ergonomic adjustments
is shown below:
Function |
Range |
Smoothness |
Ease of Use |
Tilt |
-5� / +35� |
Smooth |
Moderate |
Height |
100mm |
Quite
Smooth |
Moderate |
Swivel |
45� |
Smooth |
Stiff |
Rotate |
Full |
Rough |
Very stiff |
Overall |
Good range of adjustments although some
stiff to use. Sturdy design and feel. |
The screen materials are of a good quality
and the design is attractive in my opinion. There is no audible buzz
from the screen, even if you listen very closely. It also stays nice and cool
during use.
Above: View of
the base of the stand and closer view of base / cable tidy. Click for
larger versions
Above: Side USB
ports on the left hand edge and small pull out screen information panel.
Click for larger version (left)
The left hand side features two USB 2.0
ports for quick connection of external devices. Always useful to see I
think. Just behind this there is a small panel which pulls out to tell you
some information about your screen such as product number, serial number,
manufactured date and revision.
Above: view of
logo and OSD operational buttons. Click for larger versions
Like the ZR2240w, the font used for the "HP ZR2440w" label is
white and so does stand out a little on the all black stand. The labels for the OSD operational buttons are
also in the same colour, and these are situated in the bottom right hand
corner. There is quick access to input selection through the "+" button, but you will need to access
the main menu for the rest of the settings and options. There is a very
small LED which glows blue during operation on the far right hand edge of
the screen. In standby this glows amber.
Above: view
of the base of the stand. Click for larger version.
Above: full range of interface connections shown. Click for larger version
The back of the screen offers a pretty
decent array
of video connections. There is (from left to right on the image above)
Digital audio output, analogue audio output, DisplayPort, HDMI and DVI-D available. The digital interfaces are
HDCP certified. To the right of this there is the upstream USB connection
and two downstream USB ports to supplement the ports on the left hand edge
of the screen. It was a shame to see D-sub VGA missing here though
and I'm not really sure why HP have left this off.
Above: power
connection and switch. Click for larger version
The left hand side offers the power connection for a
normal kettle lead. There is also an on/off switch as you can see.
OSD Menu
The OSD menu is identical to that of the
smaller ZR2240w model. The 27" ZR2740w does not feature any OSD
at all, but thankfully the 24" ZR2440w does. I have used the photos of the
OSD menu from the ZR2240w review here rather than replicate them again, so
you will notice that the resolution listed is 1920 x 1080 in some of these photos.
Of course this screen actually runs at a native resolution of 1920 x 1200,
but the menu remains the same apart from that.
Above: view of
logo and OSD operational buttons. Click for larger versions
The OSD menu is accessed quickly and easily using
the left most control button. This brings you first of all to the main menu as
shown below.
The main menu gives you access to 10 sub-sections. You can move up and down this
list using the + (plus) and - (minus) buttons quite easily. Pressing 'ok' enters
you into any of these sections where you can control the associated options.
Some sections are very brief, like the brightness and contrast sections. Once
inside, you can again highlight the relevant option and press ok to control it.
This works well and is fairly intuitive.
There are more options available in other sections. The 'color' menu gives you
access to the 3 preset colour
temperature modes, as well as the customisable RGB mode. The image section
gives you access to a few interesting features which we will look at throughout
the course of this review. These include
custom scaling,
video overdrive and
dynamic contrast ratio.
There are options to control the OSD menu itself and several options relating to
power management in the associated sections.
The language section allows you to change the language of the menu and the
information section gives you basic info about the screen and resolution. Note:
the photo above of the information section has come from the ZR2440w screen as
information does vary from the ZR2240w.
Finally the source control menu allows you to
manually change between the different interface connections. You can also
quickly switch between these using the 'source' button (which is also the +) on
the front of the bezel. The photo above is from the ZR2440w menu since unlike
the ZR2240w there is no D-sub / VGA option available here.
Overall I felt there was a good range of options
available and the menu was easy enough to use. It might have been nice to see
some more preset modes for different uses. The menu also sometimes seems a bit
long-winded to exit if you have drilled into several layers.
You can access the monitors factory 'service' menu
as well but be careful not to change anything without knowing what you've done
or how to change it back. Use the menu at your own risk! To access the factory
menu, hold the main 'menu' button down while powering the monitor on. Once on,
press 'menu' again and there is an extra section available which has replaced
the 'language' section. The colour of the menu font also turns green to indicate
you are in this mode. Entering the service menu gives you some information about
the screen including confirmation that it is using LG.Display's LM240WU8 e-IPS
panel (the LM240WU8-SLA1 to be precise).
Power Consumption
In terms of power consumption the manufacturers spec states
default power usage of 48W and 59W maximum. In standby the screen apparently uses <0.5W.
|
State and Brightness
Setting |
Power Usage
(W) |
Factory Default (90%) |
37.6 |
Calibrated (30%) |
24.4 |
Maximum Brightness (100%) |
39.3 |
Minimum Brightness (0%) |
17.0 |
Standby |
0.5 |
|
We tested this ourselves and found that out of the
box the screen used 37.6W of power while at its default 90% brightness setting. After calibration, where we
had adjusted the brightness control to 30% (custom mode) and therefore the backlight intensity, this
was reduced to 24.4W. In standby the screen uses only 0.5W of power. We have plotted the
results of these measurements on the graph below:
Colour Accuracy, Black
Depth and Contrast
The Panel and Backlighting Unit
The HP ZR2440w utilises an LG.Display
LM240WU8-SLA1 e-IPS panel which is
capable of producing 16.7 million colours. The panel itself actually uses a
6-bit colour depth with Advanced
frame rate control
(A-FRC) to produce the 16.7m colours. This is different to regular 8-bit IPS
matrices, but this is a measure taken to achieve a lower price point for these
modern lower-cost displays.
The ZR2440w uses
White-LED (W-LED) backlighting. The colour space of this screen is
approximately equal to the sRGB reference and is considered a 'standard gamut'
backlight type. The screen covers 71% of the NTSC reference, 74.3% of the Adobe
RGB reference and 95.8% of the sRGB space. While a 95.8% coverage of the sRGB space
is decent enough and in line with most W-LED backlit screens, some higher end
uses may require a wider gamut with a full 100% sRGB coverage (and beyond) for
graphics and colour work. A wide gamut screen is another option for those
wanting to work outside of the sRGB colour space.
Testing Methodology
An
important thing to consider for most users is how a screen will perform out of
the box and with some basic manual adjustments. Since most users won't have
access to hardware colorimeter tools, it is important to understand how the
screen is going to perform in terms of colour accuracy for the average user.
I
restored my graphics card to default settings and disabled any previously active
ICC profiles and gamma corrections. The screen was tested at default factory settings using the DVI interface, and analysed using
an
X-rite i1 Pro spectrophotometer combined with
LaCie's Blue Eye Pro software suite. An NEC branded and customised X-rite i1 Display 2 colorimeter was
also used to verify the black point and contrast ratio since the i1 Pro is less
reliable at the darker end.
Targets for these tests are as follows:
-
CIE Diagram - validates the colour space
covered by the monitors backlighting in a 2D view, with the black triangle representing the
displays gamut, and other reference colour spaces shown for comparison
-
Gamma - we aim for 2.2 which is the default
for computer monitors
-
Colour temperature / white point - we aim
for 6500k which is the temperature of daylight
-
Luminance - we aim for 120
cd/m2, which is
the recommended luminance for LCD monitors in normal lighting conditions
-
Black depth - we aim
for as low as possible to maximise shadow detail and to offer us the best
contrast ratio
-
Contrast ratio - we aim
for as high as possible. Any dynamic contrast ratio controls are turned off here
if present
-
dE average / maximum -
as low as possible.
If DeltaE >3, the color displayed is significantly different from the
theoretical one, meaning that the difference will be perceptible to the
viewer.
If DeltaE <2, LaCie considers the calibration a success; there remains a
slight difference, but it is barely undetectable.
If DeltaE < 1, the color fidelity is excellent.
Default settings of the screen were as follows:
Monitor OSD Option |
Default Settings |
Brightness |
90 |
Contrast |
80 |
RGB Channels |
n/a |
Preset Mode |
Standard (6500k) |
HP ZR2440w - Default Factory Settings
|
Default Settings |
luminance (cd/m2) |
321 |
Black Point (cd/m2) |
0.31 |
Contrast Ratio |
1044:1 |
The out of the box performance of the ZR2440w was
reasonable. The
CIE diagram on the left confirms that the monitors colour gamut (black
triangle) very closely matches the sRGB colour space (orange triangle). It
extends a little past the sRGB space in greens in this 2D view of gamut but is a
little short in reds.
Default gamma was recorded at 2.1 average, leaving
it 6% out from the target of 2.2. Gamma was actually closer to the target 2.2 in
the darkest and medium greys where it was recorded at 2.20 and 2.19. This
deviated as low as 1.9 in other lighter shades however. White point was a
little out here at 6094k which was 6% out from the target. Note that we are using a
Spectrophotometer to make these measurements which is not sensitive to the W-LED
backlight as some colorimeter devices can be. When using a standard gamut colorimeter with a
W-LED backlit screen there can be a typical deviance of 300 - 600k in the white
point measurement which is why some sources may refer to a different white point
in this test incorrectly.
Luminance was recorded at a very high 321
cd/m2 which is
too high for comfortable use. The OSD is set at 90% brightness and this is far
too much. At this high 321 cd/m2 luminance, the black depth was 0.31 cd/m2. This gave us a static contrast ratio of
1044:1 which is excellent for an IPS panel and a pleasing result.
Colour accuracy was fairly good at default factory
settings with an average DeltaE (dE) of 2.0, ranging up to a maximum of 5.4. The
screen felt fairly even at least to the naked eye, although as with most screens
out of the box it was overly bright. It was a little washed out as a result and
felt uncomfortable to use. Some minor OSD adjustments to the brightness can hopefully help
improve the default set up for casual users who don't have access to a hardware
calibration device. To be fair though this kind of out of the box set up should
be fine for most casual users anyway, and they can just adjust the brightness
control to suit their working environment.
Overall this default performance was very
comparable to that of the 21.5" ZR2240w and 27" ZR2740w really, with similar
gamma, white point and colour set ups out of the box. All were too bright at
their default setting as well, but it is easy enough to change that.
Testing Colour Temperatures
Like the 21.5" ZR2240w, the ZR2440w doesn't offer any defined preset
modes for different uses and instead offers a set of 3 pre-configured colour temperature modes and a
customisable mode with RGB controls. The 27" model didn't offer any OSD menu and
so any kind of preset was missing there. Good to see they have been included
here on the ZR2440w.
There are options in the 'color' menu for
warm (5000k), standard (6500k) and cool (9300k). The standard mode is the
default and is designed to be close to the 6500k target we aim for in our tests.
We have already established that this is nearer to 6100k and is about 400k out
from the specified colour temperature. As a reminder we are using an i1 Pro
spectrophotometer device here which can accurately read the colour temperature
of the W-LED backlighting.
We measured the colour temperature of the screen
in each of the preset modes to establish how accurate the
settings actually were. All other settings were left at factory defaults and no
ICC profile was active. The results are recorded below:
Selected
Preset Mode |
Measured Colour Temperature |
Deviance |
Warm (5000k) |
4920k |
-80k |
Standard (6500k) |
6094k |
-406k |
Cool (9300k) |
8953k |
-347k |
Custom (RGB) |
6401k |
n/a |
As you can see, the warm setting was actually
quite close to the desired colour temperature, being only -80k out. The
standard mode was about -406k out which was a shame, and this would need
correcting through profiling of the screen when we get into the calibration
process. The cool setting was -347k out which was not far out and was recorded
at 8953k. The 'custom' setting was measured at its default settings where RGB
levels were all at maximum 255. This gave us a slightly cooler white point
than the 'standard' mode, and was recorded at 6401k and this was closer still
to the desired 6500k white point. This would be a good starting point for any
calibration wishing to achieve a 6500k white point.
Calibration Results
I wanted to calibrate and profile the screen to determine what was possible with optimum settings and
profiling. I used the
X-rite i1 Pro spectrophotometer
combined with the LaCie Blue Eye Pro software package to achieve these results
and reports. An NEC branded and customised X-rite i1 Display 2 was used to
validate the black depth and contrast ratios due to lower end limitations of the
i1 Pro device.
HP ZR2440w - Calibrated Settings, Custom Mode
Monitor OSD Option |
Adjusted Setting |
Brightness |
30 |
Contrast |
80 |
Preset Mode |
Custom (RGB) |
RGB Controls |
220, 208, 215 |
|
Calibrated Settings,
Custom Mode |
luminance (cd/m2) |
120 |
Black Point (cd/m2) |
0.13 |
Contrast Ratio |
935:1 |
I first of all reverted to the 'custom' mode in
the OSD menu which would allow me access to the individual RGB channels. During
the calibration process this would allow me to make more adjustments at the
hardware level which would help preserve grey tones and gradients during the
profiling. This allowed me to obtain an optimum hardware starting point and
setup before software level changes would be made at the graphics card level.
We had seen from our colour temp
tests that the custom mode also returned a white point closest to the 6500k
target of our tests, so this was a good setting to begin with.
Adjustments were made during the process to the brightness control and to the
RGB channels as shown in the table above. After this I let the software
carry out the LUT adjustments at a graphics card level and create an
ICC profile. The screen does not feature a hardware LUT calibration option
so other than the OSD alterations, the rest of the process is carried out at a
graphics card level in profiling the screen.
The calibration was a success. The gamma
discrepancy that we saw before (6%) had been
almost completely corrected now to leave us with 0% deviance and an average
gamma of 2.2. There was still some slight discrepancy with the gamma curve as
you can see from the table above, but it was much smaller than before. White point was also corrected to 6531k, bringing it
almost spot on to the target. Luminance had been reduced to a more comfortable 120
cd/m2 after the
adjustment of the OSD brightness control to 30%. Black depth was still very good at 0.13 cd/m2 and this gave us an impressive calibrated static contrast
ratio of 935:1. Colour accuracy was also improved nicely with dE average now
only 0.3
and maximum only 1.0. LaCie would consider colour fidelity to be excellent.
Testing the screen with various colour gradients
showed fairly smooth transitions with some slight gradation in darker tones
being evident. There was also some slight banding in darker tones as well but this
was very minimal and only really visible with gradients and not in normal use.
There was also some very slight temporal noise evident, particularly in darker
tones if you look very closely. This is a result of the FRC algorithm used to
produce the 16.7 million colour palette. It's not something you'd notice in
practice, and you do have to look very closely to see it.
You can use our settings and
try our calibrated ICC profile if you wish, which are available in
our ICC profile database. Keep in mind that results will vary from one
screen to another and from one computer / graphics card to another.
HP ZR2440w - Calibrated Settings, Standard mode
Monitor OSD Option |
Adjusted Setting |
Brightness |
30 |
Contrast |
80 |
Preset Mode |
Standard (6500k) |
RGB Controls |
n/a |
|
Calibrated Settings,
Standard Mode |
luminance (cd/m2) |
120 |
Black Point (cd/m2) |
0.12 |
Contrast Ratio |
1028:1 |
I switched to the standard mode again to see what
could be achieved through profiling in this mode. The only hardware changes that
would be made here would be to the brightness control, as the individual RGB
channels would not be adjusted.
Again the calibration was a great success. The
targets for gamma, white point and luminance had all been met nicely again.
Calibrated contrast ratio was an excellent 1028:1 and dE average was 0.4 /
maximum 1.4 which was excellent.
Again, you can use our settings and
try our calibrated ICC profile if you wish, which is available in
our ICC profile database. Keep in mind that results will vary from one
screen to another and from one computer / graphics card to another.
Calibration
Performance Comparisons
I've provided a comparison above of the ZR2440w
against some of the other screens we have tested in a similar size range. Out of
the box average dE was 2.0 which was very good really.
The default colour accuracy of the screen was comparable to some of the W-LED +
IPS models we have tested including the
Dell U2312HM (2.2),
NEC EA232WMi (2.4) and
Asus ML239H (2.3). It was also quite comparable and a little better than the
default colour accuracy of its predecessor, the 24"
HP ZR24W (2.5) which was a standard gamut CCFL unit. The performance of the
ZR2440w was very similar to the other new ZR models in terms of default dE
colour accuracy, and also in gamma and white point set up.
The professional grade 23"
NEC PA231W was better still at 1.6 dE average. A pretty good performance in
terms of default colour accuracy from the ZR2440w and only a little behind
some of the competition really. Some form of software profiling using a colorimeter
would of course be beneficial to correct some of the colours.
Once calibrated the dE average was reduced to 0.3.
This would be classified as excellent colour fidelity by LaCie. It was not quite
as low as some of the other screens here which reached down to 0.2 average, but
in practice you would not notice any difference here. Some of the
professional range models from NEC are even more accurate. Professional grade
monitors like the NEC PA series and P241W also offer other high end features which
separate them from some of these other models, including extended internal
processing, 3D LUT's and hardware calibration. These comparisons are based on a
small selection of tests, so it should be remembered that other factors do come
into play when you start talking about professional use. For further information
and tests of a high end professional grade screen with hardware LUT calibration,
you may want to have a read of our
NEC SpectraView Reference 271 review.
The black depth and contrast ratio of the ZR2440w
were excellent for an IPS panel. Calibrated black depth was 0.13
cd/m2 which
left us with a calibrated static contrast ratio of 935:1. These figures were
taken from the 'custom' calibrated mode since it had returned us the best
performance and highest level of control over the hardware itself. This was only
slightly behind the 21.5" ZR2240w (1005:1) as well and pretty much identical to
the Dell U2412M which uses a very similar panel, that being the SLA2 revision of
the same LM240WU8 module. A pleasing performance from the ZR2440w here. This
also surpassed the rather mediocre black depth and contrast ratio of its
predecessor, the ZR24W, which only managed 667:1 even with our OSD contract
tweaks
explained in the review. This new generation of IPS panel had obviously made
some improvements in contrast ratio which was great.
The BenQ EW2420, Samsung F2380 and NEC EX231Wp with their AMVA
and cPVA panels offered some fantastic contrast ratios of ~3000:1 which IPS
cannot compete with at the moment however.
For the full reviews of the models compared here
and the dates they were written (and when screens were approximately released to
the market), please see our
full
reviews index.
|
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Contrast
Stability
I wanted to see how much variance there was in the screens contrast as we
adjusted the monitor setting for brightness.
In theory, brightness and contrast are two independent parameters, and good
contrast is a requirement regardless of the brightness adjustment.
Unfortunately, such is not always the case in practice. We recorded the
screens luminance and black depth at various OSD brightness settings, and
calculated the contrast ratio from there. Graphics card settings were left at
default with no ICC profile or calibration active. Tests were made using an
NEC branded and customised
X-rite i1 Display 2 colorimeter. It should be noted that we used the
BasICColor calibration software here to record these, and so luminance at
default settings may vary a little from the LaCie Blue Eye Pro report.
OSD Brightness |
Luminance
(cd/m2) |
Black Point (cd/m2) |
Contrast Ratio
( x:1) |
100 |
345.4 |
0.34 |
1016 |
90 |
323.9 |
0.32 |
1012 |
80 |
292.4 |
0.28 |
1044 |
70 |
261.0 |
0.25 |
1044 |
60 |
229.4 |
0.22 |
1043 |
50 |
197.7 |
0.19 |
1040 |
40 |
166.8 |
0.16 |
1042 |
30 |
134.2 |
0.13 |
1032 |
20 |
101.4 |
0.10 |
1014 |
10 |
68.1 |
0.06 |
1135 |
0 |
35.9 |
0.03 |
1197 |
Luminance Adjustment Range = 309.5 cd/m2
Black
Point Adjustment Range = 0.31 cd/m2
Average
Contrast Ratio = 1056:1
|
The luminance range of the screen was very wide
with an overall adjustment range of 309.5
cd/m2 which was
slightly more than the manufacturers spec had suggested even (300 adjustment
range from the spec). At the
top end, the 100% brightness control returned us a luminance of 345.4 cd/m2
which was only just shy of the maximum specified figure for the screen of 350
cd/m2. The OSD menu brightness control allowed you to adjust this all
the way down to 35.9 cd/m2 which was very good and should allow
almost any user to obtain a comfortable setting, even when working in darkened
environments and low lighting conditions. A setting of around 25 - 30% should
return you a luminance of ~ 120 cd/m2 at default settings. Black
point ranged from 0.34 to 0.03 cd/m2 which was again excellent for an
IPS panel.
We have plotted the
luminance trend on the graph above. The screen behaves as it should, with a
reduction in the backlight intensity controlled by the reduction in the OSD
brightness setting. Between 90
and 100% the brightness range controlled is actually slightly flatter it seems as the
line is not quite linear.
Static contrast ratio
remained high across the range, with an average figure of
1056:1 which was excellent.
It was a little less stable at the lower end of the brightness range below a
setting of ~20%. These contrast measurements were plotted on the graph shown
above.
Dynamic Contrast
|
The HP ZR2440w features a dynamic contrast ratio
(DCR) control, which boasts a spec of 2,000,000:1 (2 million:1).
Dynamic contrast ratio involves controlling the
backlight of the screen automatically, depending on the content shown on the
screen. In bright images, the backlight is increased, and in darker images, it
is decreased. For this test I would use the colorimeter to record the
luminance and black depths at the two extremes. Max brightness would be
recorded on an all white screen once the DCR has caught up. Black depth would
be recorded on an all black screen.
The DCR feature is available in all of the
preset colour temperature modes and is accessible through the 'image control'
menu. There are options for on and off. The brightness control remains active in the OSD
menu and is not greyed out as it is on some screens. However, if you change
those setting manually it will change the brightness and the
DCR function will be disabled immediately without warning.
|
|
Dynamic Contrast |
Specified DCR Range |
2 million : 1 |
Available in Presets |
All modes |
Settings |
On / Off |
Max luminance (cd/m2) |
327.06 |
Min Black Point (cd/m2) |
0.16 |
Max Dynamic Contrast Ratio |
2044:1 |
The tests that we carry out to measure dynamic
contrast ratio involve an almost completely white and almost
completely black screen. In real use you are very unlikely to ever see a full
black or full white screen, and even our tests are an extreme case to be honest.
Carrying out the tests in this way does give you a good indication of the
screens dynamic contrast ratio in real life situations however.
Unlike a lot of screens we have tested recently,
this DCR did seem to function a bit which was good. You can see the transitions
with the naked eye easily as you switch between dark and light content. Like the
ZR2240w the changes are very fast however so there is no gradual change or
subtle transition. This function seemed to control the luminance up to a maximum
of about 327 cd/m2
and a minimum black point of 0.16 cd/m2. This gave us a useable
dynamic contrast ratio of 2044:1 which was ok, but a long way off the specified
2 million:1 of course. We tested the screen with a completely all black screen
but that didn't seem to turn the brightness level down any further as it does
with some screens - where it actually turns the backlight off!
Even if we took the maximum
luminance we measured in the previous section of 345.4
cd/m2,
and the lowest black point of 0.03 cd/m2, this would still only give
us a maximum theoretical DCR of 11,513:1. The screen would never live up to its 2
million:1 spec though as you would have to be turning the backlight off to reach
a lower black point than 0.03 cd/m2. In
fact it would be then tending towards infinity:1 if you consider its black point
is basically then 0
cd/m2 but this
doesn't happen anyway. At least the feature works a bit for those who like DCR.
This was to a similar level to the smaller 21.5" ZR2240w model.
Viewing Angles
Above: Viewing
angles shown from front and side, and from above and below. Click for
larger image
Viewing angles of the HP ZR2440w are very good,
as you would expect from a screen based on an e-IPS panel. Horizontally there
are very wide fields of view with a small contrast shift only really becoming
noticeable from a fairly wide angle of about 45�. At more extreme angles the
image goes a little darker and a slight greenish tint is introduced. Vertically, the contrast shift
was a little more pronounced but the fields of view were still good.
The
panel is free from any off-centre contrast shift which you see from VA matrices,
and this is why IPS technology is so highly regarded in the colour enthusiast
and professional space. It is also free of the very noticeable contrast and
colour tone shifts you see from TN Film panels vertically.
Above: View of an
all black screen from the side. Click for larger version
On a black image there is a characteristics IPS
white glow, but in normal working conditions this shouldn't present much
problem. The above image was taken in a darkened room to demonstrate the white
wide angle glow when viewing a black screen. There is no A-TW polarizer on this
panel which is rarely used now in the market but was implemented on some older
screens to improve the off centre black viewing. If you are viewing dark content
from a close position to the screen you can sometimes see this pale glow on
parts of the screen towards the sides and corners because of your proximity to
the screen and your line of sight. The edges of the screen are at an angle from
your line of sight which means you pick up this white glow to a smaller degree.
This disappears as you move backwards away from the screen where the line of
sight does not result in a wide angle view of parts of the screen and you can
see the screen largely from head on. That is a little difficult to explain but
hopefully makes sense. It is only really apparent on darker content and only
really if you are working in darkened lighting conditions on this model. It was
not too severe.
Panel Uniformity
Measurements of the screens luminance were taken
at 35 points across the panel on a pure white background. The measurements were
taken using BasICColor's calibration software package, combined with the NEC
customised X-rite
i1 Display 2 colorimeter. The above uniformity diagram shows the difference, as
a percentage, between the luminance recorded at each point on the screen, as
compared with the reference point of a calibrated 120 cd/m2. This is
the desired level of luminance for an LCD screen in normal lighting conditions,
and the below shows the variance in the luminance across the screen
compared with this point. It is worth noting that panel uniformity can vary from
one screen to another, and can depend on manufacturing lines, screen transport
and other local factors. This is only a guide of the uniformity of the sample
screen we have for review.
Uniformity of Luminance
The luminance uniformity of the ZR2440w was
pretty good. Around 77% of the screen showed very little deviation from the
central point and was within 10% variation of the 120
cd/m2. There was a section in the top
left and top right hand corner where luminance uniformity was not as good,
and luminance dropped down to around 100 cd/m2 (-20% deviance) which was a
shame. Still overall a pretty good performance in this test.
Backlight Leakage
Above: All black screen in a darkened room. Click for larger version
As usual we also tested the screen with an all
black image and in a darkened room. A camera was used to capture the result.
There was very little leakage from the backlight unit here which was pleasing.
There was some slight variance from the four corners, with some slight clouding
evident. This was not too severe at all and not something you'd notice in
practice. A good result here and very similar to that which we'd seen from the
ZR2240w and ZR2740w.
General and Office Applications
The ZR2440w offers a good solution for general
office and internet applications. The 1920 x 1200 resolution and 24" screen size
offer a good screen real estate to work with, and side by side splitting of the
screen is perfectly useable. The slightly increased vertical resolution (1200
pixels) compared with a 16:9 format screen (1080 pixels vertically) means you do
gain a bit of height which is good. I personally prefer a 1920 x 1200 screen for
office work so this was a welcome break for the common 16:9 aspect ratio screens
in the market.
The 0.2700mm pixel pitch offers a comfortable text
size for day to day use, a little bigger than some of the modern ultra-high
resolution models like the 2560 x 1440 res 27" models for instance. Default
luminance of the screen was recorded at 321
cd/m2
which is far too high for prolonged office use. You will want to turn the screen
down to about 25 - 30% brightness to achieve a luminance of around 120 cd/m2.
In doing so you also reduce the power consumption of the screen which is a
positive thing, especially in an office environment with multiple screens set
up. The brightness control also affords you a very wide range of adjustments
including a minimum luminance of around 36 cd/m2 which should be fine
even in darkened working conditions.
There is no D-sub
connection available from this model and so you are limited to using one of the
three digital interfaces. The DVI interface provided a sharp and clear image.
The ergonomics of
the screen offered a great range of adjustments. It was good to see a full range
of height, tilt, pivot and swivel available although they were a little stiff to
use in most cases. At least you should be able to position the screen at a
comfortable setting for your individual preferences. It was also good to see
some USB ports available although there are no further extra features like
ambient light sensors and card readers which are often useful in office
environments.
Above: photo of
text at 1920 x 1200 (top) and 1680 x 1050 (bottom)
The screen is designed to run at its native
resolution of 1920 x 1200 and at a 60Hz recommended refresh rate. However, if
you want you are able to run the screen outside of this resolution. We tested
the screen at a lower 1680 x 1050 resolution while maintaining the same aspect
ratio (16:10) to see how the screen handles the
interpolation of the resolution. At native resolution the text was very sharp
as you can see from the top photograph. When you switch to a lower resolution
the text is more blurry. There was
fairly low levels of overlap of the pixels and text was still reasonably readable. Native resolution is recommended where possible.
Responsiveness and Gaming
Response Time Control
Before we get in to the get into the side by side
screen comparisons I want to quickly talk about the
overdrive control available through the screens OSD menu. It is available
within the 'image control' section under the 'Video OverDrive' option as shown
above. This allows you to manually control the overdrive / RTC impulse being
applied to the pixels, with a setting of on and off available. Overdrive is
designed to help improve pixel responsiveness and reduce motion blur and
ghosting in practice by speeding up the transitions the pixels make to change
from one colour to another. You may wish to read our
specs section for some further information about overdrive / response time
compensation.
The screen was tested using the chase test in
PixPerAn, a good bit of software for trying to quantify differences in real
terms responsiveness between monitors. As a reminder, a series of pictures are
taken on the highest shutter speed and compared. The images above are the best
case examples from the screen with the 'Video OverDrive' function off and then
on. When disabled there was a more noticeable blur to the moving image although
it was not too severe. When enabled you could spot the improved response times
with the naked eye, and the image became smoother and sharper and there was less
noticeable blurring. If you looked very closely you could pick out some very
slight overshoot of the RTC impulse where a dark trail was produced. This can be
fairly common on screens using overdrive technologies where the impulse is too
aggressive or poorly controlled. Fortunately here the overshoot was minimal and
you can just pick out the dark halo behind the yellow head and a slight pale
halo behind the car. For optimum performance in games and with fast moving
images I would recommend 'Video OverDrive' is turned on.
Display Comparisons
The screen was tested again using the chase test
in PixPerAn for the display comparisons. As a reminder, a series of pictures
are taken on the highest shutter speed and compared, with the best case example
shown on the left, and worst case example on the right. This should
only be used as a rough guide to comparative responsiveness but is handy for a
direct comparison of the impact of this setting:
24" 6ms G2G
LG.Display e-IPS (Video OverDrive = On)
24" 5ms G2G LG.Display e-IPS (Overdrive Off - see review for why)
24" 6ms G2G LG.Display H-IPS
24" 8ms G2G
LG.Display e-IPS
The ZR2440w is rated by HP as having a 6ms G2G response time which implies the use of
overdrive /
response time compensation (RTC) technology, used to boost pixel
transitions across grey to grey changes. We know this to be true as we have
already looked at the OverDrive function available in the OSD menu. The panel
being used is an LG.Display LM240WU8-SLA1. Have a read about response time in
our
specs section if any of this is new to you.
I have provided a comparison of the ZR2440w first
of all above against the previous HP 24" IPS models released. The ZR2440w seems
to be a good balance between the old LP2475W and ZR24W models. On the one hand
it shows slightly less motion blur than the ZR24W which we found offered the
best performance in practice with its overdrive feature disabled. There is a
less obvious trail image on the ZR2440w although to be fair this was hardly a
big issue on the ZR24W. The older HP LP2475w showed smooth moving images with
very little motion blur, and at a similar level to the ZR2440w. However the RTC
overshoot was more obvious on that model, and the dark trail was more
pronounced.
We have also provided a comparison against the
Dell U2412M which is perhaps the ZR2440w's most logical competitor. It uses a
very similar panel (LM240WU8-SLA2) to the ZR2440w and is another IPS + W-LED
offering in the 24" sector. Responsiveness was again good on that model although
the dark overshoot artefact was again a little more noticeable than on the
ZR2440w. Out of the 4 displays compared above I would say the ZR2440w has the
edge.
24" 6ms G2G
LG.Display e-IPS (Video OverDrive = On)
23" 8ms G2G
LG.Display e-IPS (W-LED)
23"
5ms G2G LG.Display e-IPS (W-LED) - Trace Free setting 40
23"
14ms LG.Display e-IPS (W-LED)
Above is a comparison against 3 other screens we have tested which use IPS panel technology and W-LED
backlighting, all in the 23" sector this time. The ZR2440w shows less
motion blur in moving images than the NEC EA232WMi which has a
14ms response time and does not use RTC technology. It shows a similar low level
of motion blur to the Dell U2312HM and has a less noticeable dark overshoot
which was pleasing. The Asus ML239H is free from any overshoot artefacts but was
perhaps not quite as fast as the ZR2440w. Again a great performance from the
ZR2440w here.
24" 6ms G2G
LG.Display e-IPS (Video OverDrive = On)
21.5" 8ms G2G
LG.Display e-IPS (Video OverDrive = On)
27" 12ms G2G
LG.Display H-IPS
I have provided a comparison of the ZR4240w
against the other new ZR models in the range, namely the 21.5"
ZR2240w and the 27"
ZR2740w. The 24" model shows some small improvements in responsiveness
compared to the 21.5" model with a slightly reduced motion blur. It was quite a
bit faster than the 12ms G2G rated 27" model which did not feature an additional
OverDrive option to control and showed a more obvious blur of the moving image.
24" 6ms G2G
LG.Display e-IPS - Video OverDrive = On
22" 3ms G2G Samsung TN Film + 120Hz
I've also included a comparison above against a
gamer-orientated screen featuring a heavily overdriven TN Film panel, and
120Hz technology. The pixel responsiveness of both of this model is ahead
of the ZR2440w, and the 120Hz frequency allows for
improved 120fps frame rates and the support of 3D content as well. The Samsung 2233RZ remains
our champion in this test.
The responsiveness of the ZR2440w should be perfectly fine for gaming, even at
quite high levels. For an IPS panel it is a very good performer and at a similar
level, and even a little better, than some of the faster models we have tested
which was pleasing. The overdrive control should be enabled for optimum
performance and although a slight dark overshoot was introduced, it was very
slight and should not prove a significant problem.
Additional Gaming Features
Aspect Ratio Control - The ZR2440w supports
aspect ratio control options through the OSD 'image control' menu as shown above. There are options
for 'fill to screen', 'fill to aspect ratio' and 'one to one' here at least.
Good to see a defined 1:1 pixel mapping option available and a mode to
automatically detect and interpolate the source aspect ratio.
Preset Modes - There are no specific preset
modes available for gaming, so you will either have to use your standard mode,
or perhaps use one of the other colour temperature modes. The dynamic contrast ratio is
available in all of these modes and works to a small degree at least.
Input Lag (Improved)
We have recently written an in depth article about
input
lag and the various measurement techniques which are used to evaluate this
aspect of a display. We have also improved our method by adopting the SMTT 2.0
tool which is used to generate the results below. Please see our full
input
lag testing article for all the details.
For the full reviews of the models compared here and the dates they were written
(and when screens were approximately released to the market), please see our
full
reviews index.
On to our tests then in their new format using
SMTT 2.0. We have provided a comparison above against other models we have
tested to give an indication between screens. However, please note that the
other screens tested here were using older stopwatch methods and not the SMTT
2.0 tool.
The HP
ZR2440w showed an average display input lag of 20ms during this test, ranging up to 22ms
maximum. This is the overall lag of the image compared with a CRT, taking into
account signal processing delay and pixel response times. This was pretty much on par with some of the other HP models we have tested (LP2475W,
ZR2240w and
LP2275W) which all showed an average lag of 25ms. The HP ZR24W was a little
faster at 10ms than its newer counterpart. The similarly spec'd Dell U2412M was
also low at 9.4ms average.
The lag
of this screen has been categorised as CLASS 2 as detailed above. This should be
fine for most moderate gaming still but for those wanting to play fast FPS it
might prove an issue in some cases.
Movies and Video
The following summarises the screens performance
in video applications:
-
24" screen size makes it a reasonable option for
an all-in-one multimedia screen, although quite a bit smaller than modern LCD
TV's of course
-
16:10
aspect ratio is not quite as well suited to videos as a 16:9 format screen, leaving
larger borders on DVD's and wide screen content.
-
1920
x 1200 resolution can support true 1080 HD resolution content
-
Digital interfaces including DVI support HDCP for any encrypted and protected content
-
Additional DisplayPort and HDMI interfaces are available which are very useful for external Blu-ray / DVD player connectivity.
-
Black depth and contrast ratio are excellent for an IPS panel. Detail
in darker scenes and shadow detail should not be lost due to these measurements.
-
Dynamic contrast ratio is available but has very fast transitions and only
works to a small degree. It should allow a DCR up to about 2044:1 however for
those who like this technology.
-
No
'Movie' preset mode available at all so you would need to use one of the other
defined colour temperature modes or your user calibrated custom mode.
-
Very
good pixel responsiveness which should be able to handle fast moving scenes in
movies without issue.
-
Wide
viewing angles thanks to e-IPS panel technology meaning several people could
view the screen at once comfortable and from a whole host of different angles.
-
Very
good ergonomic adjustments available from the stand allowing you to obtain a
comfortable position for movie viewing.
-
No
obvious backlight leakage from the panel which was pleasing. Thankfully no leakage along any of
the edges which has the potential to become distracting when
watching movies, especially where black borders are present.
-
No
integrated stereo speakers on this model
-
No
picture in picture (PiP) or picture by picture (PbP) modes available on this
model.
HP ZR24W Comparison
I know
many people are going to be asking the question: "which is better, the
old ZR24W
or the new ZR2440w?" Since the ZR2440w is a direct replacement of the
ZR24W it is likely that the older model will not be available for long. What has
changed and have things improved with the new model? We will try and answer
these questions for you now:
HP
ZR24W vs. ZR2440w Comparison
|
Old ZR24W |
New ZR2440w |
Interfaces |
DVI, D-sub and DisplayPort available |
DVI, DisplayPort and HDMI.
No D-sub available but HDMI added |
Features |
Full ergonomic adjustments, 4x USB 2.0 ports |
The same |
Panel |
LG.Display LM240WU7-SLB1
e-IPS |
LG.Display LM240WU8-SLA1
e-IPS |
Backlight |
CCFL |
W-LED |
Colour Space |
Standard Gamut / sRGB |
Standard Gamut / sRGB |
Design |
Much thicker profile |
Thinner profile |
Depth of Screen |
86.5 mm |
61.0 mm |
Backlighting
The
major change since the ZR24W model has been HP's move towards
W-LED backlighting from CCFL. Both screens offer a standard gamut colour
space, but W-LED is certainly the popular choice of manufacturers at the moment.
This has environmental and energy saving implications which are of course
attractive given the focus on carbon footprints and the like. The LED panels are
arsenic and mercury-free for example. We had unfortunately not measured the
power consumption of the ZR24W when we tested it, but as an indication
FlatpanelsHD had measured a consumption of 49.0W after calibration, where
brightness had been adjusted to 0%. This had achieved a luminance of 132
cd/m2
in their tests (and ours in fact). From our ZR2440w tests
we have measured a calibrated
power consumption of 24.4W, and a minimum (at 0%) of 17.0W. The move to W-LED
has certainly helped lower power consumption which is good.
It
should be noted that W-LED backlighting does not necessarily offer you any
advantages in terms of colour reproduction, contrast ratios, black depth, or
uniformity. These are often incorrectly assumed to be impacted by the change,
when in fact those are features of the panel itself rather than the backlighting
unit employed. The use of W-LED does allow for a much thinner profile of the screen
with the ZR2440w measuring 61.0 mm depth, while the ZR24W was 86.5 mm.
Above: Side
views showing the profile of the ZR24W (left) and ZR2440w (right). Click for
larger versions
Features and Specs
Both
models are very similar here and offer a very wide range of ergonomic
adjustments from the stand which was great to see. They both offer 4x USB 2.0
ports which are useful. The main difference is with the video interfaces where
the D-sub VGA connection from the older ZR24W model has been dropped and
replaced by a digital HDMI. Nowadays HDMI is very popular for connection of
external devices so overall I would say this was a positive thing. I would
personally have liked them to include a D-sub as well and it was a shame to see
it left off really.
Performance
I've
included a table summarising these screens side by side based on the testing we
have carried out and on my opinions. The screens are colour marked as green
(winner) or red (loser) in each category which should be self-explanatory. Where
I was not able to separate the two they are shown in grey. I will justify each
result below:
-
Features - There's not really anything to
separate the two here, both have a good range of adjustments and a 4 port USB
2.0 hub.
-
Interfaces - I've given the slight edge
to the ZR2440w since it has an HDMI input instead of the D-sub of the ZR24W.
This is probably more useful to people nowadays.
-
Calibrated power consumption
- The power consumption of the
ZR24W even at its lowest brightness setting was 49.0W, whereas the ZR2440w
offers a much lower consumption of 24.4W when calibrated and at 30% brightness
/ 17.0W at 0%.
-
Panel Uniformity - I have marked
these two screens as level in this test as there's nothing really to separate
them from the samples we have reviewed.
-
Office and Windows - There's very
little to separate them all here so I've marked them as level. Same features,
pixel pitch and resolution.
-
Viewing angles - There's very little
to separate them all here so I've marked them as level. Both are e-IPS based
so offer good fields of view.
-
Movies Overall - The new ZR2440w
wins here as it has a much better black depth and static contrast ratio, it
has a higher dynamic contrast ratio available and it has an HDMI interface
that was not available on the older model.
-
Responsiveness - They are all very
close really but the new model does show some reduced motion blur in practice.
-
Input lag - The ZR24W had a 10ms lag
when we measured it while the ZR2440w is 20ms average. Neither are
particularly high but the older model is a little better here.
-
Minimum luminance - The ZR24W was
quite limited here, only being able to reach 132
cd/m2
even at 0% brightness. The ZR2440w has a much wider range available and can
reach as low as 35.9
cd/m2.
-
Colour accuracy Default - Out of the box,
the ZR2440w was slightly better with an average dE of 2.0 compared with 2.5 on
the older model.
-
Black depth - The new model wins
comfortably here with a much lower calibrated black depth of 0.13
cd/m2,
compared with 0.18
cd/m2 of
the ZR24W. A nice improvement made with this newer model.
-
Static Contrast Ratio - as a static
number of 935:1, the ZR2440w is the best in this test. The ZR24W only managed
667:1 which is fairly low and that was after the adjustments and tweaks we had
made in the review.
-
Dynamic Contrast Ratio - Both work a
little bit, but the ZR2440w offers a higher available DCR, largely down to its
better static CR figure.
Overall
I felt that the ZR2440w was a very good improvement and upgrade over the older
ZR24W model. HP have managed to improve the screen in nearly every area to some
degree. Some aspects such as black depth, contrast ratio and luminance range
were improved quite significantly. If you have a ZR24W already then I'm not sure
it would be worth upgrading and spending a lot of money for a new screen when
overall performance characteristics are quite similar. If you are buying new,
then I would recommend the ZR2440w as the better choice between the two
certainly.
Conclusion
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The ZR2440w impressed us both as a decent 24"
screen and as an update to the popular and successful ZR24W. Feature wise there
was about everything you would really need from this screen with a decent range
of ergonomic adjustments from the stand, and a decent set of video connections.
There was a USB hub available too and although we did miss a D-sub connection it
was positive to see HP add an HDMI in its place.
It was also pleasing to see HP have stuck with IPS
panel technology here offering some very good all round performance. It's
combination with W-LED backlighting helped from an environmental point of view
and gave the screen a thinner, more attractive profile at the same time. Some
areas were improved significantly over its predecessor with a much better black
depth and contrast ratio being perhaps the most notable. Response times were
very good and input lag was pretty low too. As we have said in the previous
section, this was a good update to the ZR24W in pretty much every area which was
great.
The ZR2440w has a RRP of �378 GBP (inc VAT) and
can be found for ~�345 in the UK. This does put it a little more expensive than
the popular
Dell U2412M (�270) which is bound to draw comparisons, and is at the end of
the day fairly similar in most areas. If you want an alternative to the Dell
though, with some very good all round performance then this would be an
excellent choice in the 24" sector.
Pros |
Cons |
Excellent black depth and
contrast ratio for an IPS panel |
Shame to see D-sub connection
left off |
Very good range of ergonomic adjustments
and interface options |
Input lag perhaps a little
higher than some models but still pretty low |
Very good pixel responsiveness
for gaming |
Some stand adjustments were a
little stiff to use. |
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